The shortest way to save it was the straight way. She would go straight
to Mrs. Majendie with her proofs. Her duty to herself justified the
somewhat unusual step. And, more than her duty, Sarah loved a scene. She
loved to play with other people's emotions and to exhibit her own. She
wanted to see how Mrs. Majendie would take it; how the white-faced,
high-handed lady would look when she was told that her husband had
consoled himself for her high-handedness. She had always been possessed
by an ungovernable curiosity with regard to Majendie's wife.
She did not know Majendie's wife, but she knew Majendie. She knew all
about the separation and its cause. That was where she had come in. She
divined that Mrs. Majendie had never forgiven her husband for his old
intimacy with her. It was Mrs. Majendie's jealousy that had driven him
out of the house, into the arms of pretty Maggie. Where, she wondered,
would Mrs. Majendie's jealousy of pretty Maggie drive him?
Though Sarah knew Majendie, that was more than she would undertake to
say. But the more she thought about it, the more she wondered; and the
more she wondered, the more she desired to know.
She wondered whether Mrs. Majendie had heard the report. From all she
could gather, it was hardly likely. Neither Mrs. Majendie nor her friends
mixed in those circles where it went the round. The scandal of the clubs
and of the Park would never reach her in the high seclusion of the house
in Prior Street.
Into that house Lady Cayley could not hope to penetrate except by guile.
Once admitted, straightforwardness would be her method. She must not
attempt to give the faintest social colour to her visit. She must take
for granted Mrs. Majendie's view of her impossibility. To be sure Mrs.
Majendie's prejudices were moral even more than social. But moral
prejudice could be overcome by cleverness working towards a formidable
moral effect.
She would call after six o'clock, an hour incompatible with any social
intention. An hour when she would probably find Mrs. Majendie alone.
She rested all afternoon. At five o'clock she fortified herself with
strong tea and brandy. Then she made an elaborate and thoughtful
toilette.
At forty-five Sarah's face was very large and horribly white. She
restored, discreetly, delicately, the vanished rose. The beautiful,
flower-like edges of her mouth were blurred. With a thin thread of rouge
she retraced the once perfect outline. Wrinkles had drawn in the corners
of the indomitable eyes, and ill-health had dulled their blue. That
saddest of all changes she repaired by hand-massage, pomade, and
belladonna. The somewhat unrefined exuberance of her figure she laced in
an inimitable corset. Next she arrayed herself in a suit of dark blue
cloth, simple and severely reticent; in a white silk blouse, simpler
still, sewn with innocent daisies, Maggie's handiwork; in a hat, gay in
form, austere in colour; and in gloves of immaculate whiteness.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account