The Heritage of Dedlow Marsh and Other TalesHarte, Bret
General
The Heritage of Dedlow Marsh and Other Tales
Harte, Bret
California -- Social life and customs -- Fiction; Western stories
It was three or four days before he became firmly adjusted to his new
quarters. During this time he had met Cherry casually on the
staircase, in going or coming, and received her shy greetings; but she
had not repeated her visit, nor again alluded to it. He had spent part
of a formal evening in the parlor in company with a calling deacon,
who, unappalled by the Indian shawl for which the widow had exchanged
her household cerements on such occasions, appeared to Herbert to have
remote matrimonial designs, as far at least as a sympathetic
deprecation of the vanities of the present, an echoing of her sighs
like a modest encore, a preternatural gentility of manner, a vague
allusion to the necessity of bearing "one another's burdens," and an
everlasting promise in store, would seem to imply. To Herbert's vivid
imagination, a discussion on the doctrinal points of last Sabbath's
sermon was fraught with delicate suggestion and an acceptance by the
widow of an appointment to attend the Wednesday evening "Lectures" had
all the shy reluctant yielding of a granted rendezvous. Oddly enough,
the more formal attitude seemed to be reserved for the young people,
who, in the suggestive atmosphere of this spiritual flirtation, alone
appeared to preserve the proprieties and, to some extent, decorously
chaperon their elders. Herbert gravely turned the leaves of Cherry's
music while she played and sang one or two discreet but depressing
songs expressive of her unalterable but proper devotion to her mother's
clock, her father's arm-chair, and her aunt's Bible; and Herbert joined
somewhat boyishly in the soul-subduing refrain. Only once he ventured
to suggest in a whisper that he would like to add HER music-stool to
the adorable inventory; but he was met by such a disturbed and
terrified look that he desisted. "Another night of this wild and
reckless dissipation will finish me," he said lugubriously to himself
when he reached the solitude of his room. "I wonder how many times a
week I'd have to help the girl play the spiritual gooseberry downstairs
before we could have any fun ourselves?"
Here the sound of distant laughter, interspersed with vivacious
feminine shrieks, came through the open window. He glanced between the
curtains. His neighbor's house was brilliantly lit, and the shadows of
a few romping figures were chasing each other across the muslin shades
of the windows. The objectionable young women were evidently enjoying
themselves. In some conditions of the mind there is a certain
exasperation in the spectacle of unmeaning enjoyment, and he shut the
window sharply. At the same moment some one knocked at his door.
It was Miss Brooks, who had just come upstairs.
"Will you please let me have my music-stool?"
He stared at her a moment in surprise, then recovering himself, said,
"Yes, certainly," and brought the stool. For an instant he was tempted
to ask why she wanted it, but his pride forbade him.
"Thank you. Good-night."
"Good-night!"
Public-domain text, read in full here on John Shaqi.
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