The other part of the body which nowadays appears to be deformed to the greatest extent is the foot. It seems to be considered absolutely necessary, if one is to appear elegant, for one's toes to be pointed in such a way that the apex of the angle is in the middle of the foot instead of on the inner side; and although the two points are probably unconnected, we might here mention the idea that in a perfect foot the second toe ought to be longer than the great toe. This would make the extreme end of the foot a little nearer the middle line, and in Art the second toe is represented as being the longest in accordance with the Greek canon. These proportions were copied from the Egyptian representations, and the original is probably to be found in the negroes, according to Sir William Flower. The latter points out that the longer our big toe is, the further we are removed from apes; and he found, too, that amongst hundreds of bare and therefore undeformed feet of children in Perthshire, which he examined, he was not able to find one in which the second toe was the longest. These children would, of course, belong to the lower classes, and it would be interesting to know whether the same thing holds good in higher social circles when the foot remains normal. It may be well to remember that Sir William Flower was a surgeon, for Mr. Heather Bigg, who tilts with the gymnastic practitioner once more on the subject of boots and stockings, expresses somewhat different ideas upon the question. He alludes to the two classes of people in the British Isles who habitually discard boots and stockings--the fisher-folk and factory girls in some of the large Scotch cities. He says that he scarcely likes to be ungallant about the latter, but commends the adult feet of both of these classes to the inspection of those who would draft their children into the "bare-footed brigade." He continues as follows: The truth is that the feet of those who have been unbooted till they have reached adult life are splayed and spread, large-jointed, and very generally deformed from all approach to the ideal foot as it is depicted by the greatest painters, or modelled by the greatest sculptors. We have seen that the ideal foot of the sculptors is probably not a true ideal from an evolutionary point of view, and there is no doubt but that the ideal foot would be the one produced under natural conditions in which we cannot include boots and stockings. We should take it, however, that the stones of the seashore and the floor of a factory are not the ideal surfaces on which to habitually tread.