The Hermit and the Wild Woman, and Other StoriesWharton, Edith
General
The Hermit and the Wild Woman, and Other Stories
Wharton, Edith
Short stories, American
WHEN, punctually at ten minutes to seven, her husband had emerged from
the house, Margaret Ransom remained seated in her bedroom, addressing
herself anew to the difficult process of self-collection. As an aid to
this endeavour, she bent forward and looked out of the window,
following Ransom's figure as it receded down the elm-shaded street. He
moved almost alone between the prim flowerless grass-plots, the white
porches, the protrusion of irrelevant shingled gables, which stamped
the empty street as part of an American college town. She had always
been proud of living in Hill Street, where the university people
congregated, proud to associate her husband's retreating back, as he
walked daily to his office, with backs literary and pedagogic, backs of
which it was whispered, for the edification of duly-impressed visitors:
"Wait till that old boy turns--that's so-and-so."
This had been her world, a world destitute of personal experience, but
filled with a rich sense of privilege and distinction, of being not as
those millions were who, denied the inestimable advantage of living at
Wentworth, pursued elsewhere careers foredoomed to futility by that
very fact.
And now--!
She rose and turned to her work-table where she had dropped, on
entering, the handful of photographs that Guy Dawnish had left with
her. While he sat so close, pointing out and explaining, she had hardly
taken in the details; but now, on the full tones of his low young
voice, they came back with redoubled distinctness. This was Guise
Abbey, his uncle's place in Wiltshire, where, under his grandfather's
rule, Guy's own boyhood had been spent: a long gabled Jacobean facade,
many-chimneyed, ivy-draped, overhung (she felt sure) by the boughs of a
venerable rookery. And in this other picture--the walled garden at
Guise--that was his uncle, Lord Askern, a hale gouty-looking figure,
planted robustly on the terrace, a gun on his shoulder and a couple of
setters at his feet. And here was the river below the park, with Guy
"punting" a girl in a flapping hat--how Margaret hated the flap that
hid the girl's face! And here was the tennis-court, with Guy among a
jolly cross-legged group of youths in flannels, and pretty girls about
the tea-table under the big lime: in the centre the curate handing
bread and butter, and in the middle distance a footman approaching with
more cups.
Margaret raised this picture closer to her eyes, puzzling, in the
diminished light, over the face of the girl nearest to Guy
Dawnish--bent above him in profile, while he laughingly lifted his
head. No hat hid this profile, which stood out clearly against the
foliage behind it.
"And who is that handsome girl?" Margaret had said, detaining the
photograph as he pushed it aside, and struck by the fact that, of the
whole group, he had left only this member unnamed.
"Oh, only Gwendolen Matcher--I've always known her--. Look at this: the
almshouses at Guise. Aren't they jolly?"
Public-domain text, read in full here on John Shaqi.
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