The Hermit and the Wild Woman, and Other StoriesWharton, Edith
General
The Hermit and the Wild Woman, and Other Stories
Wharton, Edith
Short stories, American
Well--it was just the end one might have foreseen for him. Only he was,
through it all and in spite of it all--as he had been through, and in
spite of, his pictures--so handsome, so charming, so disarming, that
one longed to cry out: "Be dissatisfied with your leisure!" as once one
had longed to say: "Be dissatisfied with your work!"
But, with the cry on my lips, my diagnosis suffered an unexpected check.
"This is my own lair," he said, leading me into a dark plain room at
the end of the florid vista. It was square and brown and leathery: no
"effects"; no bric-a-brac, none of the air of posing for reproduction
in a picture weekly--above all, no least sign of ever having been used
as a studio.
The fact brought home to me the absolute finality of Jack's break with
his old life.
"Don't you ever dabble with paint any more?" I asked, still looking
about for a trace of such activity.
"Never," he said briefly.
"Or water-colour--or etching?"
His confident eyes grew dim, and his cheeks paled a little under their
handsome sunburn.
"Never think of it, my dear fellow--any more than if I'd never touched
a brush."
And his tone told me in a flash that he never thought of anything else.
I moved away, instinctively embarrassed by my unexpected discovery; and
as I turned, my eye fell on a small picture above the mantel-piece--the
only object breaking the plain oak panelling of the room.
"Oh, by Jove!" I said.
It was a sketch of a donkey--an old tired donkey, standing in the rain
under a wall.
"By Jove--a Stroud!" I cried.
He was silent; but I felt him close behind me, breathing a little
quickly.
"What a wonder! Made with a dozen lines--but on everlasting
foundations. You lucky chap, where did you get it?"
He answered slowly: "Mrs. Stroud gave it to me."
"Ah--I didn't know you even knew the Strouds. He was such an inflexible
hermit."
"I didn't--till after.... She sent for me to paint him when he was
dead."
"When he was dead? You?"
I must have let a little too much amazement escape through my surprise,
for he answered with a deprecating laugh: "Yes--she's an awful
simpleton, you know, Mrs. Stroud. Her only idea was to have him done by
a fashionable painter--ah, poor Stroud! She thought it the surest way
of proclaiming his greatness--of forcing it on a purblind public. And
at the moment I was _the_ fashionable painter."
"Ah, poor Stroud--as you say. Was _that_ his history?"
"That was his history. She believed in him, gloried in him--or thought
she did. But she couldn't bear not to have all the drawing-rooms with
her. She couldn't bear the fact that, on varnishing days, one could
always get near enough to see his pictures. Poor woman! She's just a
fragment groping for other fragments. Stroud is the only whole I ever
knew."
"You ever knew? But you just said--"
Gisburn had a curious smile in his eyes.
"Oh, I knew him, and he knew me--only it happened after he was dead."
I dropped my voice instinctively. "When she sent for you?"
Public-domain text, read in full here on John Shaqi.
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