The Hero of Esthonia and Other Studies in the Romantic Literature of That CountryKirby, W. F. (William Forsell)
History
The Hero of Esthonia and Other Studies in the Romantic Literature of That Country
Kirby, W. F. (William Forsell)
Estonian literature; Estonian literature -- History and criticism
After a time the old man came back with a long trough on his
shoulder filled with clay, and a covered basket in his left
hand. He set them down on the ground, and took a piece of clay,
which he moulded into a doll. The body was hollow, and he put
three salt herrings and a bit of bread into it. Then he made a
hole in the breast of the doll, took a black snake a yard long
from the basket, and made it creep through. The snake hissed
and lashed its tail as if it resisted, but he forced it through
the hole. After the lady had carefully inspected the doll on
all sides, the old man said, "We want nothing more
[Pg 248]
now but a drop of the peasant girl's blood." Elsie turned pale
with terror when she heard this, for she thought that her soul
was sold to the Evil One. But the lady comforted her and said,
"Fear nothing. We don't want your blood for any evil purpose,
but for a good end, and for your future happiness." Then she
took a small gold needle, and pricked Elsie's arm, after which
she gave the needle to the old man, who thrust it into the
heart of the doll. Then he put the doll into the basket to
grow, and promised to show the lady the result of his work
next morning. Then they retired to rest, and a chambermaid
showed Elsie to a room where she found a soft bed ready for
her. When she opened her eyes next morning in the silken bed
with soft pillows, she found herself wearing a shift of fine
linen, and she saw rich garments lying on a chair near the
bed. Then a girl came into the room, and told Elsie to wash
herself and comb her hair, after which she dressed her from
head to foot in the fine new clothes, like the proudest Saxon
child.
[141] Nothing delighted Elsie so much as the
[Pg 249]
Public-domain text, read in full here on John Shaqi.
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