The Hero of Esthonia and Other Studies in the Romantic Literature of That CountryKirby, W. F. (William Forsell)
History
The Hero of Esthonia and Other Studies in the Romantic Literature of That Country
Kirby, W. F. (William Forsell)
Estonian literature; Estonian literature -- History and criticism
It was again a lovely evening. The air was calm and peaceful, and again
the song of the nightingale resounded through the night. The Moon gazed
down once more into the depths at the bottom of the river near the
Vaskjala Bridge, but no longer alone as before. The fair face of the
maiden gazed down with him into the depths, and has ever since been
visible in the Moon. Above in the far sky she lives in joy and
contentment, and only desires that other maidens might share her
happiness. So on moonlight nights her friendly eyes gaze down on her
mortal sisters, and she seeks to invite them[Pg 36] as her guests. But
none among them is so pure and modest and innocent as herself, and
therefore none is worthy to ascend to her in the Moon. Sometimes this
troubles the maiden in the Moon, and she hides her face sorrowfully in
a black veil. Yet she does not abandon all hope, but trusts that on
some future day one of her earthly sisters may be found sufficiently
pious and pure and innocent for the Moon to call her to share this
blessed life. So from time to time the Moon-maiden gazes down on the
earth with increasing hope and laughing eyes, with her face unveiled,
as on the happy evening when she first looked down from heaven on the
Vaskjala Bridge. But the best and most intelligent of the daughters of
earth fall into error and wander into by-paths, and none among them is
pious and innocent enough to become the Moon's companion. This makes
the heart of the pious Moon-maiden sorrowful again, and she turns her
face from us once more, and hides it under her black veil.
[Pg 37]
THE WOMAN IN THE MOON.
(Jannsen.)
One Saturday evening a woman went very late to the river to fetch
water. The Moon shone brightly in the heavens, and she said to him,
"Why do you stand gaping up there? You'd better come and help me carry
water. I must work here, and you dawdle about above!"
Suddenly the Moon came down from above, but he seized the woman and
took her with him into the sky. There she still stands with her two
pails as a warning to everybody not to work too late in the evening on
holidays. But the Moon knows no rest, and can never dawdle about, for
he must wander from land to land, and everywhere illumine the darkness
of night with his light.[22]
[Pg 38]
POLYPHEMUS.
(Jannsen.)
In the Esthonian version the Devil visits a locksmith, who promises to
cast him new eyes. When the Devil calls for them, he binds him to a
bench on his back, telling him that his name is Myself. He then pours
molten tin into his eyes, and the Devil jumps up with the pain, and
rushes out with the bench on his back, telling his companions that
"Myself" has done it. He dies miserably, and the dog, fox, rat, and
wolf bury him under the dung of a white mare. "Since this," adds the
narrator, "there has been no devil more." There is a very similar story
from Swedish Lappmark, in which the man who outwits and blinds a giant
tells him that his own name is "Nobody."[23]
RED RIDING-HOOD.
Public-domain text, read in full here on John Shaqi.
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