The Hero of Esthonia and Other Studies in the Romantic Literature of That CountryKirby, W. F. (William Forsell)
History
The Hero of Esthonia and Other Studies in the Romantic Literature of That Country
Kirby, W. F. (William Forsell)
Estonian literature; Estonian literature -- History and criticism
No doubt he hoped
to get the better of them by some stratagem.
A grand feast was prepared for the guests in the hall of Põrgu, which
lasted for a whole week, and[Pg 157] there was plenty of everything.
The aged host exhibited his treasures and precious hoards to his
visitors, and made his players perform before the fisherman in their
very best style. One morning the boy Pikker said to the fisherman, "If
you are again feasted and fêted to-day, ask for the instrument which is
in the iron chamber behind seven locks." The fisherman took the hint,
and in the middle of the feast, when everybody was half-seas over, he
asked to see the instrument in the secret chamber. The Devil was quite
willing, and he fetched the instrument, and tried to play upon it
himself. But although he blew into it with all his strength, and
shifted his fingers up and down the pipe, he was not able to bring a
better tone from it than the cry of a cat when she is seized by the
tail, or the squeaking of a decoy-pig at a wolf-hunt. The fisherman
laughed, and said, "Don't give yourself so much trouble for nothing. I
see well enough that you'll never make a piper. My boy can manage it
much better." "Oho," said the Devil, "you seem to think that playing
this instrument is like playing the flageolet, and that it is mere
child's play. Come, friend, try it; but if either you or your boy can
bring anything like a tune out of the[Pg 158] instrument, I won't be
prince of hell any longer. Only just try it," said he, handing the
instrument to the boy. The boy Pikker took the instrument, but when he
put it to his mouth and blew into it, the walls of hell shook, and the
Devil and his company fell senseless to the ground and lay as if dead.
In place of the boy the old Thunder-god himself stood by the fisherman,
and thanked him for his aid, saying, "In future, whenever my instrument
is heard in the clouds, your nets will be well filled with fish." Then
he hastened home again.
On the way his son met him, and fell on his knees, confessing his
fault, and humbly asking pardon. Then said Father Kõu, "The frivolity
of man often wars against the wisdom of heaven, but you may thank your
stars, my son, that I have recovered the power to annihilate the traces
of the suffering which your folly has brought on the people." As he
spoke, he sat down on a stone, and blew into the thunder-instrument
till the rain-gates were opened, and the thirsty earth could drink her
fill. Old Kõu took his son into his service, and they live together
still.
In our next story we shall see the Devil and his[Pg 159] companions
overreaching themselves in a manner worthy of the _Ingoldsby Legends_,
while in the Polyphemus story already referred to under Cosmopolitan
Tales we find the Devil blinded and perishing miserably.
THE MOON-PAINTER.
(Jannsen.)
Public-domain text, read in full here on John Shaqi.
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