The Hero of Esthonia and Other Studies in the Romantic Literature of That CountryKirby, W. F. (William Forsell)
History
The Hero of Esthonia and Other Studies in the Romantic Literature of That Country
Kirby, W. F. (William Forsell)
Estonian literature; Estonian literature -- History and criticism
There was nothing in these caverns to mark the difference
between night and day, and the Kalevide did not know how long
he had been struggling against the various difficulties of the
road. He was now assailed by swarms of mosquitoes, which he
thought to escape by hurrying through them and leaving them
behind; but they grew
[Pg 126]
thicker and thicker, till a cricket in the grass called to him
to sound the bell. The mosquitoes vanished as if carried away
by the wind, and the hero sat down to rest and refresh
himself, and having at length learned wisdom from experience,
tied the bell on his little finger, that he might have its
constant aid in future. Then he advanced farther.
And now the hosts of hell, the servants of Sarvik, heard his heavy
tread, and they sent out scouts, who fled back in consternation,
reporting that the son of Kalev, the strongest of men, was advancing
with hostile intentions. Then Sarvik commanded his forces to march
against him.
The Kalevide had now reached a river of blazing pitch, crossed by an
iron bridge. Here the hosts of hell determined to make a stand, and
formed themselves into four detachments, one upon the bridge, one
below, one on the bank, and one in the rear.
"What's this swarm of frogs?" cried the Kalevide, drawing his
sword and rushing forward to the bridge. He was at once
assailed with a shower of arrows, and was then attacked with
spear and battleaxe; but he stood like a wall of
[Pg 127]
iron, and scattered his enemies, though fresh hosts
continually advanced against him. At length he fought his way
through all the hostile troops, and Sarvik was in despair, and
did his utmost to block the paths and to fortify himself
against the imminent danger.
Public-domain text, read in full here on John Shaqi.
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