Towards evening, I laved my limbs in a tepid bath; and as soon as the
sun had waved his last crimson banner in the west, I began my toilette.
So variable is fashion, that I determined not to dress according to its
existing laws; since they might be completely exploded in a month; and,
at all events, by the time my life is written, they will have become
quite antiquated. For instance, do we not already abhor Evelina's and
Harriet Byron's powdered, pomatumed, and frizzled hair? It was,
therefore, my plan to dress in imitation of classical models, and to
copy the immortal toilette of Greece.
Having first divested myself from head to foot of every habiliment, I
took a long piece of the finest cambric, and twice wound it gracefully
round my shoulders and bosom, and twice enveloped my form in its folds;
which, while they delineated the outline of my shape, veiled the
tincture of my skin. I then flung over it a drapery of embroidered
gauze, and its unimplicated simplicity gave to my perfect figure the
spirit of an antique statue. An apparent tissue of woven air, it fell
like a vapour round me. A zone of gold and a clasp prettily imprisoned
my waist; and my graceful arms, undegraded by gloves, were bare to the
shoulder. Part of my hair was confined by a bodkin, and part floated
over my neck in native ringlets. As I could not well wear my leg naked,
I drew on it a texture of woven silk; and laced a pair of sandals over
my little foot; which resembled that of a youthful Thetis, or of a
fugitive Atalanta.
I then bathed my face with the dew which I had gathered in the morning,
poured on my hair and bosom the balmy waters of the distilled rose, and
sprinkled my drapery with fragrant floods of lavender; so that I might
be said to move in an ambient atmosphere of odours.
Behold me now, dressed to a charm, to a criticism. Here was no sloping,
or goring, or seaming, or frilling, or flouncing. Detestable mechanism
of millinery! No tedious papillotes, or unpoetical pins were here. All
was done, in a few minutes, with a clasp, a zone, and a bodkin.
As I surveyed my form in the mirror, I was enraptured at its Sylphic
delicacy; but I trembled to reflect, that the fairest flowers are the
most fragile. You would imagine that a maiden's sigh could dissipate
the drapery; and its aerial effect was as if a fairy were to lift the
filmy gossamer on her spear, and lightly fling it over a rose-bud.
Resolving not to make myself visible till all the guests had arrived, I
sat down and read Ossian, to store my mind with ideas for conversation.
I love Ossian, it is so sublime, so bewildered, so full of a blue and
white melancholy; of ghosts, and the four elements. I likewise turned
over other books; for, as I had never mixed in fashionable society, I
could not talk that nothingness, which is every thing in high life.
Nor, indeed, if I could, would I; because, as a heroine, it was my part
to converse with point, flowers, and sublimation.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account