I confess I am not at all reconciled to the means I used in obtaining
that dress. I took advantage of the milliner's indiscretion in one
instance, to make her do wrong in another. But doubtless my biographer
will find excuses for me, which I cannot discover myself. Besides, the
code of moral law that heroines acknowledge is often quite opposite
from those maxims which govern other conditions of life. And, indeed,
if we view the various ranks and departments of society, we shall see,
that what is considered vicious in some of them, is not esteemed so in
others. Thus: it is deemed dishonest in a servant to cheat his master
of his wines, but it is thought perfectly fair for his master to
defraud the King of the revenue from those wines. In the same way, what
is called wantonness in a little minx with a flat face, is called only
susceptibility in a heroine with an oval one. We weep at the letters of
Heloise; but were they written by an alderman's fat wife, we should
laugh at them. The heroine may permit an amorous arm round her waist,
fly in the face of her parents, and make assignations in dark groves,
yet still be described as the most prudent of human creatures; but the
mere Miss has no business to attempt any mode of conduct beyond
modesty, decorum, and filial obedience. In a word, as different classes
have distinct privileges, it appears to me, from what I have read of
the law national, and the law romantic, that the heroine's prerogative
is similar to the King's, and that she, like him, can do no wrong.
Adieu.
LETTER XXI
O Biddy, I have ascertained my genealogy. I am--but I must not
anticipate. Take the particulars.
Having secured a comfortable bed at Jerry's, and eaten something (for I
had fasted all day), I went with him in a coach to the Pantheon, where
he promised to remain, and escort me back.
But I must first describe my Tuscan dress. It was a short petticoat of
pale green, with a bodice of white silk; the sleeves loose, and tied up
at the shoulders with ribbons and bunches of flowers. My hair, which
fell in ringlets on my neck, was also ornamented with flowers and a
straw hat. I wore no mask, heroines so seldom do.
Palpitating with expectation, I entered the assembly. Such a multitude
of grotesque groups as presented themselves! Clowns, harlequins, nuns,
devils; all talking and none listening. The clowns happy to be called
fools, the harlequins as awkward as clowns, the nuns impudent, and the
devils well-conducted. But as there is a description of a masquerade in
almost every novel, you will excuse me from entering into farther
particulars.
Too much agitated to support my character with spirit, I retired to a
recess, and there anxiously awaited the arrival of the ancient vassal.
Hardly had I been seated five minutes, when an infirm and reverend old
man approached, and sat down beside me. His feeble form was propt upon
a long staff, a palsy shook his white locks, and his garments had all
the quaintness of antiquity.
Public-domain text, read in full here on John Shaqi.
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