The Hesperides & Noble Numbers: Vol. 1 and 2Herrick, Robert
General
The Hesperides & Noble Numbers: Vol. 1 and 2
Herrick, Robert
Poetry
157. _No Herbs have power to cure Love._ Ovid, _Met._ i. 523; id. _Her._
v. 149: Nullis amor est medicabilis herbis. For the 'only one sovereign
salve' cp. Seneca, _Hippol._ 1189: Mors amoris una sedamen.
159. _The Cruel Maid._ Printed in _Witts Recreations_, 1650, with no
other variant than the mistaken omission of "how" in l. 7. I do not
think that it has been yet pointed out that the whole poem is a close
imitation of Theocritus, xxiii. 19-47:--
Ἄγριε παῖ καὶ στυγνέ, κ.τ.λ.
Possibly Herrick meant to translate the whole poem, which would explain
his initial _And_. But cp. Ben Jonson's _Engl. Gram._ ch. viii.: "'And'
in the beginning of a sentence serveth instead of an admiration".
164. _To a Gentlewoman objecting to him his gray hairs._ Mr. Hazlitt
quotes an early MS. copy headed: "An old man to his younge Mrs.". The
variants, as he observes, are mostly for the worse. The poem may have
been suggested to Herrick by Anacreon, 6 [11]:--
Λέγουσιν αἱ γυναῖκες,
Ἀνακρέων, γέρων εἶ·
λαβὼν ἔσοπτρον ἄθρει
κόμας μὲν οὐκέτ' οὔσας κ.τ.λ.
168. _Jos. Lo. Bishop of Exeter._ Joseph Hall, 1574-1656, author of the
satires.
169. _The Countess of Carlisle._ Lucy, the second wife of James, first
Earl of Carlisle, the Lady Carlisle of Browning's _Strafford_.
170. _I fear no earthly powers._ Probably suggested by Anacreon [36],
beginning: τί με τοὺς νόμους διδάσκεις; Cp. also 7 [15]: Οὔ μοι μέλει τὰ
Γύγεω.
172. _A Ring presented to Julia._ Printed without variation in _Witts
Recreations_, 1650, under the title: "With a O to Julia".
174. _Still thou reply'st: The Dead._ Cp. Martial, VIII. lxix. 1, 2:--
Miraris veteres, Vacerra, solos
Nec laudas nisi mortuos poetas.
178. _Corinna's going a-Maying._ Herrick's poem is a charming expansion
of Chaucer's theme: "For May wol have no slogardye a night". The account
of May-day customs in Brand (vol. i. pp. 212-234) is unusually full, and
all Herrick's allusions can be illustrated from it. Dr. Nott compares
the last stanza to Catullus, _Carm._ v.; but parallels from the classic
poets could be multiplied indefinitely.
_The God unshorn_ of l. 2 is from Hor. I. _Od_. xxi. 2: Intonsum pueri
dicite Cynthium.
181. _A dialogue between Horace and Lydia._ Hor. III. _Od._ ix.
_Ramsey._ Organist of Trinity College, Cambridge, 1628-1634. Some of his
music still exists in MS.
Public-domain text, read in full here on John Shaqi.
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