The Hidden Force: A Story of Modern JavaCouperus, Louis
History
The Hidden Force: A Story of Modern Java
Couperus, Louis
Java (Indonesia) -- History -- 19th century -- Fiction
She was beginning to feel unhappy. She was too versatile a woman to
find all her happiness in her little boy. He certainly filled a part
of her life, with the minor cares of the present and the thought
of his future. She had even worked out a whole educational system
for him. But he did not fill her life entirely. And a longing for
Holland encompassed her, a longing for her parents, a longing for
the beautiful, artistic home where you were always meeting painters,
writers, musicians, the artistic salon--an exception in Holland--that
gathered together for a brief moment the artistic elements which in
Holland usually remained isolated.
The vision passed before her eyes like a vague and distant dream,
while she listened to the approaching thunders that filled the air,
sultry to bursting-point, while she gazed at the downpour that
followed. Here she had nothing. Here she felt out of place. Here
she had her little clique of adherents, who collected around her
because she was cheerful; but she found no sort of deeper sympathy,
no serious conversation ... except in Van Helderen. And with him she
meant to be careful, so as to give him no illusions.
There was only Van Helderen. And she thought of all the other people
around her at Labuwangi. She thought of people, people everywhere. And,
very pessimistic in these days, she found in all of them the same
egoism, the same self-complacency, the same unattractiveness, the same
self-absorption: she could hardly express it to herself, distracted as
she was by the terrific force of the pelting rain. But she found in
everybody conscious and unconscious traits of unloveliness ... even
in her faithful adherents ... and in her husband ... and in the men,
young wives, girls, young men around her. There was nothing in any
of them but his own ego. Not one of them had sufficient harmony of
mind for himself and another. She disapproved of this in one, hated
that in another; a third and a fourth she condemned entirely. This
critical attitude made her despondent and melancholy, for it was
against her nature: she preferred to like others. She liked to live,
in spontaneous harmony, with a number of associates: originally she
had a profound love of people, a love of humanity. Great questions
moved her. But nothing that she felt met with any echo. She found
herself empty and alone, in a country, a town, an environment in
which all and everything, large and small, offended her soul, her
body, her character, her nature. Her husband worked. Her child was
already becoming thoroughly Indian. Her piano was out of tune.
She stood up and tried the piano, with long scales that ended in the
Feuerzauber of Valkyrie. But the roar of the rain was louder than
her playing. When she got up again, feeling desperately dejected,
she saw Van Helderen standing before her.
"You startled me," she said.
Public-domain text, read in full here on John Shaqi.
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