The Hidden Force: A Story of Modern JavaCouperus, Louis
History
The Hidden Force: A Story of Modern Java
Couperus, Louis
Java (Indonesia) -- History -- 19th century -- Fiction
The early hours of the day were often cool, washed clean by the
abundant rains; and in the young sunshine of these morning hours the
earth emitted a tender haze, a blue softening of every hard line
and colour, so that the Lange Laan, with its villa-residences and
fenced gardens, seemed to be surrounded with the vagueness and beauty
of a dream-avenue: the dream-columns rose insubstantially, like a
vision of pillared tranquillity; the lines of the roofs acquired
distinction in their indefiniteness; the hues of the trees and the
outlines of their leafy tops were etherealized into tender pastels
of misty rose and even mistier blue, with a single brighter gleam
of morning yellow and a distant purple streak of dawn. And over all
this matutinal world fell a cool dew, like a fountain that rose from
that drenched ground and fell back in pearly drops in the child-like
gentleness of the first sunbeams. It was as though every morning the
earth and her people were newly created, as though mankind were newly
born to a youth of innocence and paradisal unconsciousness. But the
illusion of the dawn lasted but a minute, barely a few moments: the
sun, rising higher in the sky, shone forth from the virginal mist;
boastfully it unfurled its proud halo of piercing rays, pouring down
its burning gold, full of godlike pride because it was reigning over
its brief moment of the day, for the clouds were already mustering,
greyly advancing, like battle-hordes of dark phantoms, pressing eerily
onwards: deep bluish-black and heavy lead-grey phantoms, overmastering
the sun and crushing the earth under white torrents of rain. And the
evening twilight, short and hurried, letting fall veil upon veil of
crape, was like an overwhelming melancholy of earth, nature and life,
in which one forgot that paradisal moment of the morning; the white
rain rustled down like a flood-tide of melancholy; the road and the
gardens were dripping, drinking up the falling torrents until they
shone like marshy pools and flooded meadows in the dusky evening; a
chill, spectral mist rose on high with a slow movement as of ghostly
draperies, which hovered over the puddles; and the chilly houses,
scantily lit with their smoking lamps, round which clouds of insects
swarmed, falling on every hand and dying with singed wings, became
filled with a yet chillier sadness, an over-shadowing fear of the
menacing world out of doors, of the all-powerful cloud-hordes, of the
boundless immensity that came whispering on the gusty winds from the
far-off unknown, high as the heavens, wide as the firmament, against
which the open houses appeared unprotected, while the inmates were
small and petty for all their civilization and science and soulful
feelings, small as wriggling insects, insignificant, abandoned to
the play of the giant mysteries blowing up from the distance.
Léonie van Oudijck, in the half-lit back-verandah of the residency,
was talking to Theo in a soft voice: and Oorip squatted beside her.
Public-domain text, read in full here on John Shaqi.
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