The Hidden Force: A Story of Modern JavaCouperus, Louis
History
The Hidden Force: A Story of Modern Java
Couperus, Louis
Java (Indonesia) -- History -- 19th century -- Fiction
such that he could transfer it to an unworthy son. It was settled:
the regent would be dismissed.
The princess had listened to him, unable to credit his words, seeing
the abyss yawn before her. And, with a yell like that of a wounded
lioness, with a scream of pain, she pulled the jewelled hairpins from
her head, till her long grey hair fell streaming about her face;
with a rending tug she tore open her satin kabaai; beside herself
with anguish, she threw herself before the feet of the European, took
firm hold of his foot with her two hands, planted it, with a movement
which made Van Oudijck stagger, on her bowed neck and cried aloud
and screamed that she, the daughter of the sultans of Madura, would
for ever be his slave, that she swore to be nothing but his slave,
if only he would have mercy on her son this time and not plunge her
house into the abyss of shame which she saw yawning around her. And she
clutched the European's foot, as though with the strength of despair,
and held that foot, like a yoke of servitude, with the sole and heel
of the shoe pressed upon her flowing grey hair, upon her neck bowed
to the floor. Van Oudijck trembled with emotion. He realized that
this high-spirited woman would never humble herself like that, with
evident spontaneity, to the lowest depths of humiliation that she
could conceive, would not resort to the most vehement utterance of
actual grief that a woman could ever display, with her hair unbound
and the ruler's foot planted on her neck, if she had not been shaken
to the very depths of her soul, if she did not feel desperate to
the pitch of self-destruction. And he hesitated for a moment. But
only for a moment. He was a man of considered principles, of fixed,
a priori logic, immovable when he had come to a decision, wholly
inaccessible to impulse. With the utmost respect, he at last released
his foot from the princess' clinging grasp. Holding out both hands
to her, with visible compassion, visible emotion, he raised her from
the floor. He made her sit down; and she fell into a chair, broken,
sobbing aloud. For a moment, perceiving his gentleness, she thought
that she had won. But when he calmly but decidedly shook his head
in denial, she understood that it was over. She panted for breath,
half-swooning, her kabaai still open, her hair still unbound.
At that moment Léonie entered the room. She had seen the drama enacted
before her eyes and felt a thrill of artistic emotion. She experienced
something like compassion in her barren soul. She approached the
princess, who flung herself into her arms, woman seeking woman in the
unreasoning despair of that inevitable doom. And Léonie, turning her
beautiful eyes on Van Oudijck, murmured a single word of intercession
and whispered:
"Give in! Give in!"
Public-domain text, read in full here on John Shaqi.
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