Almost everybody familiar with New York knows the residence of J. Howard Brokenshire not far above the Museum. Built of brick with stone facings, it is meant to be in the style of Louis Treize. It would be quite in the style of Louis Treize were the stonework not too heavy and elaborate, and the façade too high for its length. Inside, with an incongruity many rich people do not mind, it is sumptuously Roman and Florentine--the Brokenshire villa at Newport on a larger and more lavish scale. Having gone over the house with Ethel Rossiter during the winter I spent with her, I had carried away the impression of huge unoccupied rooms, of heavily carved or gilded furniture, of rich brocades, of dim old masters in elaborate gold frames, of vitrines and vases and mirrors and consoles, all supplied by some princely dealer in _objets d'art_ who had received _carte blanche_ in the way of decoration. The Brokenshire family, with the possible exception of Mildred, cared little for the things with which they lived. Ethel Rossiter, in showing me over the house, hardly knew a Perugino from a Fragonard, and still less could she distinguish, between the glorious fading softness of a Flemish fifteenth-century tapestry and a smug and staring bit of Gobelins. Hugh went in and out as indifferently as in a hotel, while Jack Brokenshire's taste in art hardly reached beyond racing prints. Mildred liked pretty garlanded things _à la_ Marie Antoinette, which the parental habit of deciding everything would never let her have. J. Howard alone made an effort at knowing the value, artistic and otherwise, of his possessions, and would sometimes, when strangers were present, point to this or that object with the authority of a connoisseur, which he was not. It was a house for life in perpetual state, with no state to maintain. Stafford House, Holland House, Bridgewater House, to name but a few of the historic mansions in London, were made spacious and splendid to meet a definite necessity. They belonged to days when the feudal tradition still obtained and there were no comfortable hotels. Great lords came to them with great families and great suites of retainers. Accommodation being the first of all needs, there was a time when every corner of these stately residences was lived in. But now that in England the great lord tends more and more to be only a simple democratic individual, and the wants of his relatives are easily met on a public or co-operative principle, the noble Palladian or Georgian dwelling either becomes a museum or a club, or remains a white elephant on the hands of some one who would gladly be rid of it. Princes and princesses of the blood royal rent numbered houses in squares and streets, next door to the Smiths and the Joneses, in preference to the draughty grandeurs of St. James's and Buckingham Palace, while a villa in the suburbs, with a few trees and a garden, is often the shelter sought by the nobility.