The High Place: A Comedy of DisenchantmentCabell, James Branch
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The High Place: A Comedy of Disenchantment
Cabell, James Branch
Fantasy fiction; Historical fiction; Middle Ages -- Fiction
“The molten lead which was poured into my ear,” replied Aurélie, “will
go before her glowing like a will-o’-the-wisp.”
“And how can she, in her condition, make so long a journey?”
“Let her take the fine ebony cane which broke my skull,” rejoined
Hortense. “For now the cup of Florian’s iniquity runs over, and all the
implements of his wickedness revolt against him.”
“Come now,” said Melior, “there has been a great deal of nonsense
talked. But you have at last, poor ghost, suggested something really
practical, and something that had occurred to me also. Yes, you are
entirely right, and your suggestion is most sensible, though, to be
sure, it can hardly be ebony: for now that I am quite certain about
Florian I simply owe it to my self-respect to leave him before he
murders me too, and the easiest way to do that of course is to use
my unfortunate and misguided sister’s staff. But ebony, you know, is
perfectly black—”
“Now of what staff can you be talking?”
“Why, but, my dear! As anybody at Brunbelois, even the veriest tidbits
of children, could tell you, it was presented to Mélusine by one of
the most fearful and ruthless demons resident in the Red Sea. It was
the staff the poor darling always rode on. I do not, of course, mean
him: in fact, I only saw him once, on a Saturday, when I was the merest
child. And with all those scales, he could hardly expect anybody to
call him a darling, even if you overlooked his having a head like a
cat. Only much more so, of course, on account of his being larger. No,
I meant that Mélusine rode on it—”
Now Florian was reflecting, “With what a lovely air of innocence she
lied to me about that staff!” And Aurélie was saying, ineffectively,
“Yes, but—”
“—Not as a steady thing, of course, but when she was about some
particularly important enchantment, and wanted to make an impression.
Mélusine was accomplished, and all that, and nobody denies it, but,
if you ask me about being vain, then I can only say that, sister or
not, I believe in being truthful. And as for leaving her things about
helter-skelter, even the crown jewels—for Mélusine was the oldest of us
girls, and Father always spoiled her quite terribly, and Mother never
cared especially for dressing up,—why, we all know what clever people
are in that way: and I need only say that I found this very staff stuck
away in a cupboard, like an old worn-out broom—”
Said Marianne, “Yes, but—”
“—When I was getting my things together to leave Brunbelois. And,
much as I hate to contradict anybody, it has a distinctly red tinge,
so that it could not possibly be ebony. So, what with all the talk,
and Hoprig’s suspicions about Florian, it simply occurred to me that
this staff was not the sort of thing my dear father would care to be
stirring up unpleasant old memories with, by seeing it, after all his
trouble with Mélusine. For, even if Hoprig had been quite wrong, still,
marriage, as I so often think, is really just a lottery—”
Public-domain text, read in full here on John Shaqi.
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