The High Place: A Comedy of DisenchantmentCabell, James Branch
Science
The High Place: A Comedy of Disenchantment
Cabell, James Branch
Fantasy fiction; Historical fiction; Middle Ages -- Fiction
Hoprig smiled, benevolently as always, but not in the least
repentantly, and Hoprig said: “Why, after all, I have seen quite as
much of this modern world as interests a saint in the prime of life;
this halo certainly is, in ways we need not go into, sometimes in
inconvenience; and there is no real pleasure in being ministered unto
by unwilling angels. So that I am ready to leave it to the lady.”
Now Melior arose from beside the cradle, wherein the child was now once
more asleep. And Melior looked at Florian, without saying anything: but
she was smiling rather sadly; and Florian knew that nowhere in this
world, at any time, had there been any person more lovely than was his
disenchanted princess.
And Florian said: “A pest! but, in the name of earth and sky and
sea, in the name of Heaven and all the fiends, let this be done! For
the moment you are again a legend, madame, I shall recapture the dear
misery of my love for you and for that perfect beauty which should be
seen and not heard.”
“Indeed,” she replied, “I daresay that is the truth. So, for all our
sakes, Hoprig and I will go back to the time before I married you: and
then, on account of the baby, I suppose I will have to marry Hoprig,
who at least takes women as he finds them.”
“You speak, I assume, metaphorically,” observed the saint, “but, in any
case, I believe you exhibit good sense. So let us be going.”
Then Florian said farewell to Melior and to Hoprig also. Florian
had put aside his dapper look: he had quite lost his usual air of
tolerating a mixture of vexation and mirth: and for that moment he did
not show in anything as a jaunty little person of the very highest
fashion.
“Now that you two,” said Florian, “become again a legend and a symbol,
I can believe in and love and worship you once more. It is in vain,
it is with pitiable folly, that any man aspires to be bringing beauty
and holiness into his daily living. These things are excellent for
dilettanti to admire from afar. But they are not attainable, in any
quantity that suffices. We needs believe in beauty: and there needs
always flourish the notion that beauty exists in human living, so long
as memory transfigures what is past, and optimism what is to come. And
sometimes one finds beauty even in the hour which is passing, here and
there, at wide intervals: but it is mixed—as inextricably as is mixed
your speaking, bright-colored enemy of all romance,—with what is silly
and commonplace and trivial.”
“It seems so very vexatious,” Melior stated, as if from depths of long
deliberation, “when you can distinctly remember having brought your
hat, to be quite unable—Yes, go on talking, Florian. It is on the peg
by the door, and we are all listening.”
Public-domain text, read in full here on John Shaqi.
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