The High Place: A Comedy of DisenchantmentCabell, James Branch
Science
The High Place: A Comedy of Disenchantment
Cabell, James Branch
Fantasy fiction; Historical fiction; Middle Ages -- Fiction
Not one of the ambiguous guardians of the place in any way molested
Florian in that journey through which he hoped to win the sword
Flamberge. His bearing, which combined abstraction with a touch of
boredom, discouraged any advances from phantoms, and made fiends
uneasily suspect this little fellow in bottle-green and silver to be
one of those terrible magicians who attend Sabbats only when they are
planning to kidnap with strong conjurations some luckless fiend to
slave for them at unconscionable tasks. That sort of person a shrewd
fiend gives a wide berth: and certainly nobody who was not an adept
at magic would have dared venture hereabouts, upon this night of all
nights in the year, the guardians reasoned, without considering that
this traveler might be a Puysange. So Florian passed to the top of the
hill, without any molestation, in good time for the beginning of the
Feast of the Wheel.
When Florian came quietly through the painted gate, the Master was
already upon the asherah stone receiving homage. The place was well
lighted with torches which flared bluishly as they were carried about
by creatures that had the appearance of huge dark-colored goats:
each of these goats bore two torches, the first being fixed between
its horns, and the second inserted in another place. Florian stood
aside, and watched these venerable rites of unflinching osculation
and widdershins movings and all the rest of the ritual. One respected
of course the motives which took visible form in these religious
ceremonies, but the formulæ seemed to Florian rather primitive.
So he sat upon a secluded grassbank, beyond the light of the blue
torches, and waited. It was quaint, and pathetic too in a way, now that
the communicants were reporting upon their unimaginative doings since
the last Sabbat. The Master listened and advised upon each case. To
Florian it appeared a rather ridiculous pother over nothing, all this
to-do about the drying up of a cow or the unfitting of a bridegroom
for his privileges or the sapping away of someone’s health. Florian
inclined to romanticism even in magic, whose proper functions he did
not consider to be utilitarian or imitative of real life. It seemed to
him mere childish petulancy thus to cast laborious spells to hasten
events which would in time have happened anyhow, through nature’s
unprompted blunderings, when the obvious end of magic should be to
bring about chances which could not possibly happen. But the Master had
an air of taking it all quite seriously.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account