The High Place: A Comedy of DisenchantmentCabell, James Branch
Science
The High Place: A Comedy of Disenchantment
Cabell, James Branch
Fantasy fiction; Historical fiction; Middle Ages -- Fiction
“—For you have this Jahveh’s own history of his exploits all
written down at his own dictation. I allow him candor, nor, for one
so young, does he write badly. For the rest, do these cruelties,
these double-dealings, these self-confessed divine blunders and
miscalculations, these subornings of murders and thefts and adulteries,
these punishments of the innocent, not sparing even his own family—”
Florian yawned delicately, but without removing his eyes from the
tumble-bug. “My dear Monsieur Janicot, that sort of talk is really
rather naïve: it is, if you will pardon my frankness, quite out of date
now that we have reached the eighteenth century.”
“Yes, but—”
“No, Monsieur Janicot, I can consent to hear no more of these
sophomoric blasphemies. I must tell you I have learned that in these
matters, as in all matters, it is better taste to recognize some
drastic regeneration may be necessary without doing anything about it,
and certainly without aligning ourselves with the foul anarchistic
mockers of everything in our social chaos which is making for beauty
and righteousness—”
“Why, but, Monsieur the Duke,” said Janicot, “but what—!”
“I must tell you I perceive, in honest sorrow, that with a desire for
fescennine expression you combine a vulgar atheism and an iconoclastic
desire to befoul the sacred ideas of the average man or woman,
collectively scorned as the bourgeoisie—”
“Yes, doubtless, this is excellent talking. Still, what—?”
“I must tell you also that I very gravely suspect you to be one of
those half-baked intellectuals who confuse cheap atheism, and the
defiling of other men’s altars, with deep thinking; one of those
moral and spiritual hooligans who resent all forms of order as an
encroachment upon their diminutive, unkempt and unsavory egos; one of
the kind of people who relish nasty books about sacred persons and
guffaw over the amours of the angels.”
“Yes, I concede the sonority of your periods; but what does all this
talking mean?”
“Why, monsieur,” said Florian, doubtfully, “I do not imagine
that it means anything. These are merely the customary noises of
well-thought-of persons in reply to the raising of any topic which
they prefer not to pursue. It is but an especially dignified manner of
saying that I do not care to follow the line of thought you suggest,
because logic here might lead to uncomfortable conclusions and to
deductions without honorable precedents.”
Public-domain text, read in full here on John Shaqi.
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