The High Place: A Comedy of DisenchantmentCabell, James Branch
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The High Place: A Comedy of Disenchantment
Cabell, James Branch
Fantasy fiction; Historical fiction; Middle Ages -- Fiction
And Hoprig said: “Wonder awakens in me when I consider my travels, and
stout admiration when I regard the magnificence of my deeds. Why,
but, my son, I defied two emperors to their pagan faces, I sailed in
a stone trough beyond the sunset, I killed five dragons, I forget
how many barbarous tribes I converted, and I intrepidly went down
into Pohjola and into the fearful land of Xibalba, among big tigers
and blood-sucking bats, to the rescue of my poor friend Hork! Now I
consider these things with a pride which is not selfish, but with pride
in the race and in the religion which produces such heroism: and I
consider these things with tears also, when I think of my steadfastness
under heathen persecution. Do you but recall, my dear child, what
torments I endured! I was bound to a wheel set with knives, I was given
poison to drink, I was made to run in red-hot iron shoes, I was cast
into quicklime—But I abridge the list of my sufferings, for it is too
harrowing. I merely point out that the legend is excellent.”
“But, monsieur, this legend is not true.”
“The truth, my son,” replied the saint, “is that which a person, for
one reason or another, believes. Now if I had really been put to the
horrible inconvenience of doing all these splendid things, and they had
been quite accurately reported, my legend would to-day be precisely
what it is: it would be no more or less than the fine legend which
piety has begotten upon imagination. You will grant that, I hope?”
“Nobody denies that. It is only—”
“Then how can it to-day matter a pennyworth whether or not I did these
things?” asked the saint, reasonably.
“Well, truly now, Monsieur Hoprig, the way you put it—”
“I put it, my son, in the one rational way. We must zealously preserve
those invigorating stories of the heroic and virtuous persons who
lived here before our time so gloriously, because people have need of
these excellent examples. It would be a terrible misfortune if these
stories were not known everywhere, and were not always at hand to
hearten everybody in hours of despondency by showing what virtuous
men can rise to at need. These examples comfort the discouraged with
a sentiment of their importance as moral beings and of the greatness
of their destinies. So, since the actual living of men has at no time,
unluckily, afforded quite the necessary examples, the philanthropic
historian selects, he prunes, he colors, he endeavors, like any other
artist, to make something admirable out of his raw material. The
miracles which the painter performs with evil-smelling greases, the
sculptor with mud, and the musician with the intestines of a cat, the
historian emulates through the even more unpromising medium of human
action. And that is as it should be: for life is a continuous battle
between the forces of good and evil, and news from the front ought to
be delivered in the form best suited to maintain our morale. Yes, it is
quite as it should be, for fine beliefs do everybody good.”
Public-domain text, read in full here on John Shaqi.
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