The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
There was a burial in Inverness in the seventeenth century where few
besides Highlanders in their usual garb were present, and all the way
before them a piper played, having his drones hung with streamers of
crape. In 1737 at the funeral of an eminent performer in Ireland his
cortege was preceded by “eight couple of pipers” playing a funeral
dirge, and it is alleged that when Lord Lovat was condemned for
participating in the rebellion of 1745, he desired that his body might
be carried to Scotland for burial, saying “he had once made it a part of
his will that all the pipers between Johnnie Groat’s House and Edinburgh
should be invited to play at his funeral.” Rob Roy’s funeral in 1736 was
the last for many years at which a piper occupied an official position,
although we read that in 1820 the pipes were played at the funeral of
Sir John Murray Macgregor, of Lanrick, and that in Edinburgh in 1835 a
Highland corps attended the funeral of a sergeant, the piper playing
“Lochaber no more.” In later years, however, the custom has been
revived, and the piper now frequently accompanies military funerals or
the funerals of those connected with the Highlands. When the then Sirdar
entered Khartoum after the Battle of Omdurman, one of the first things
he did was to hold a formal funeral service on the spot where General
Gordon was murdered, the pipers playing a dirge and the Soudanese band
playing the hero’s favourite hymn, “Abide with me.” In old times, if the
poet Dunbar may be believed, the bagpipe was preferred to other forms of
honouring the dead:—
“I will na preistis for me sing,
Na yit na bellis for me ring,
Bot a bag pipe to play a spryng.”
In connection with funerals it only remains to be added that at the
magnificent ceremonial in February last (1901), when the body of Queen
Victoria was conveyed from Osborne to Windsor, Her Majesty’s two
Highland pipers had an honourable place in the procession. When the
cortege left Osborne they played the dirge of the Black Watch, and later
on they changed into “The Flowers of the Forest,” a tune that has been
played over many a soldier’s grave. It was appropriate that the
association of the Queen with the 42nd Royal Highlanders should be kept
up to the last. In 1854, when the regiment was in Chobham Camp, Her
Majesty and the Prince Consort visited them weekly, and the Queen was so
pleased with the Highlanders that when she decided to have a piper, she
chose Pipe-major Ross of the 42nd, who remained in her service until his
death about ten years ago. Mr. James C. Campbell, the present royal
pipe-major, was taken from the same regiment.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account