The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
The evil that men do lives after them. So these stories derogatory to
pipers have been preserved while many equally good and reflecting credit
on their characters as public men have no doubt been buried with their
bones. They always had a “guid conceit o’ themselves,” and were apt to
think they were better than average humanity, so much so that “as proud
as a piper” passed into a proverb. When the late Duke of Edinburgh
required a piper he asked the advice of the Prince of Wales’s piper as
to how he should get one. The Prince’s piper asked the Duke what kind of
a piper he wanted, whereupon the Duke said “Oh, just a piper like
yourself, Donald.” “Oh, it’s easy to get a piper,” said Donald, “but
it’s no easy to get a piper like me.” Then there was Mac Donel, the
famous Irish piper, who lived in great style, keeping servants and
horses. One day he was sent for to play to a large company during
dinner, and a table and chair were placed for him on the landing outside
the door, a bottle of claret and a glass on the table and a servant
waiting behind the chair. Mac Donel appeared, took a rapid survey of the
preparations, filled his glass, stepped to the dining room door, looked
full in the midst of the gathering, said “Mr. Grant your health, and
company,” drank off the dram, threw half-a-crown on the table with the
remark to the servant, “There, my lad, is two shillings for my bottle of
wine and a sixpence for yourself,” then ran out, mounted his horse and
galloped off, followed by his groom. An almost similar story is told of
_Ian Dall_, the Gairloch piper, but in his case the language used was
hardly so choice. It was of the kind which is best represented
thus * * * *
Not only were the old masters proud, they were also jealous. When the
colleges for training pipers were in Skye, the Mac Crimmons had some
private “tips” on pipe music which they did not give away to their
pupils. A girl friend, however, learned how some of the secret notes
were produced, and in private she taught her sweetheart. When her
nearest relatives learned what she had done, they instantly cut off her
fingers that she might show no more how they practised their tunes.
Ross, a grand old Breadalbane piper, in a mad fit of jealousy, thrust
the right hand of his boy brother into the fire, and held it there till
it became a charred lump, to prevent the boy becoming a better piper
than himself, which seemed likely. Neil Munro’s story of _Red Hand_ is
but a variation of the same theme. Giorsal, jealous of her stepson
Tearlach’s piping being better than that of her husband, cuts off
Tearlach’s hand while he sleeps. It is beautifully told, but that is the
whole story.
Public-domain text, read in full here on John Shaqi.
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