The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
“Minstrels of merit, ilk ane come,
Sough mournfu’ notes o’er Johnie’s tomb;
Through fields of air applaud him home—
I hope he’s weel;
His worth, nae doubt, has sav’d him from
The muckle de’il.
EPITAPH.
“Here lies dear John, whase pipe and drone,
And fiddle aft has made us glad;
Whase cheerfu’ face our feasts did grace—
A sweet and merry lad.”
The Border pipers were supposed by their countrymen to excel in musical
skill and graceful execution those of the Highlands, and they commanded
a higher degree of respect than wandering musicians. They traversed the
country at particular seasons, chiefly in spring, for the purpose of
collecting seed corn—John Hastie apparently was too dignified for this,
as witness the reference to playing “for bear, for pease, or ates”—and
they were the last remains of the minstrelsy of the Borders. “Like a’
the girning piper race” shows that the pipe then commonly used in
Jedburgh was the Lowland, as that inflated with the mouth prevented
“girning.” Either John played the latter, or he had such command of his
features that he did not allow his music to deprive him of his pleasant
looks.
The village of Kilbarchan, too, had its piper. He was a notable person
in his day, and also proved himself worthy of the attention of the poet.
It was the habit in Kilbarchan for the piper to play a march called “The
Maiden Trace” before a bride as previous to her marriage she walked with
her maidens three times round the church. “Trixie,” in the following
epitaph, which was first printed in 1706, refers to a then popular
song:—
“The Epitaph of Habbie Simson
Who on his drone bore bony flags
He made his cheeks as red as Crimson
And babbed when, he blew the Bags.
“Kilbarchan now may say, alas!
For she hath lost her Game and Grace
Both Trixie and the Maiden Trace
But what remead?
For no man can supply his place
Hab Simson’s dead.
“Now who shall play, the day it daws?
Or hunt up, when the Cock he craws?
Or who can for the Kirk—town—cause,
Stand us in stead?
On Bagpipes (now) no Body blaws
Fen Habbie’s dead.
“Or wha will cause our Shearers shear?
Wha will bend up the Brags of Weir
Bring in the Bells or good play meir
In time of need?
Hab Simson could, what needs you speer?
But (now) he’s dead.
Public-domain text, read in full here on John Shaqi.
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