The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
After _Punch_ I must be permitted to work off several stories which have
been King Charles’s Heads unto me since I began to compile this volume.
They persisted in cropping up, now in some book which I was consulting,
then in a newspaper, and next in conversation with acquaintances. I know
all their variations so well now that I recognise them a long way off,
and generally manage to avoid them. Four are particularly determined in
keeping themselves to the front:—
A wandered Celt found himself laid up in an hospital in America with a
disease which fairly puzzled the physicians. They did not know what to
do with their patient, for he seemed to be sinking into the grave for no
reason whatever. They held a consultation, and decided as a last
resource to try music, preferably bagpipe music, as the patient was a
Scotsman. So every night for a fortnight a piper played in the lobbies
of the hospital, and gradually the Celt began to revive. At the
fortnight’s end he was well enough to be discharged, but—and this was
the worst feature of the case—_all the other patients had died_.
Once, I remember, that story hailed from the Crimea and referred to a
dying soldier of Sir Colin Campbell’s, who was cured by the pipes in one
hour. The music was, however, the death of forty-one of his comrades.
The exact number killed varies from time to time, but that is a small
matter. The incident is always the same. The last occasion on which it
crossed my path was in the spring of 1900, when it appeared in the
“London Letter” of a Glasgow evening paper, to which it had been
telegraphed the same morning from the “City Notes” of one of the leading
London dailies, each of the journalists concerned treating it as a great
discovery in the field of humour. And I had been doing all I could to
keep out of its way for about a year previously.
The next also shows the wonderful powers of pipe music. Music,
apparently, hath charms to soothe the savage _beast_. A Scotsman, a
piper of course, lost his way on an American prairie, and was overtaken
by a bear. To appease the brute Sandy threw it his modest lunch, the
only food he had to keep him alive until he found shelter. But Bruin was
not satisfied, and threatened to dine off Sandy himself, whereupon the
piper thought he would play a farewell lament before quitting the world.
So he struck up “Lochaber no more.” No sooner, however, did the big
drone give its first squeal than the bear stood stock still, then turned
and fled precipitously. Then Sandy exclaimed—
“If she had known she was so fond of ta music, she could have had ta
pipes before ta supper.”
On its last round that story had reached Siberia, and the Celt, who was
hungry, was pursued by a pack of wolves, who “fled with hideous howls”
when the slogan of the clan was heard.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account