The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
Pipers, when playing in public, often get into awkward positions. During
the performance of the well-known Julien Army Quadrilles, in connection
with which local bands represent England, Scotland, and Ireland—the
chief performing band being the orchestra—the pipes were once put into a
cellar in the lower part of the building and the door closed. Here, on a
given signal, they struck up “The Campbells are coming.” Thereupon the
doors gradually opened, and the pipers marched up from the lower regions
and through the vast hall, which was crowded. On their approach the
cheering was so vociferous that it was impossible to hear the sound of
the pipes, and it was only by carefully watching the parts of the tune,
the step, and the swing of the leading piper (who was endeavouring to
reach the platform on which the orchestra was seated) that they were
able to play in unison. Having ascended the platform, they placed
themselves in a conspicuous position, and when they stopped playing, the
well-known imitation fierce battle, for which these quadrilles are
famous, began. While rehearsing this performance, it should be added,
the door of the lower apartments had been accidentally left open, so
that the sounds were distinctly and loudly heard by the bandmaster, who
was a German. With lightning rapidity he came tearing downstairs in a
furious rage, exclaiming in wild tones—“Mein Got, fat is this. You may
be as well up on de stage. Why is de door not closed according to my
instructions?” Being thus interrogated, the pipe-major appealed to piper
Dougal Mac Donald, who was the last to enter, and who should have closed
the door.
“Why did you not shut the door when you came in, Dougal?” he asked.
Dougal’s reply, which was characteristic of the man, was—
“Ach man! What did I know? The door wasn’t shut when I opened it.”
After this matters went on all right and to the satisfaction of the
bandmaster.
On another occasion, when taking part in these quadrilles, the same band
had to cross a plank arrangement erected above the heads of the audience
before they could get to the platform. To get there under such
circumstances required tact, in addition to a good nerve.
Public-domain text, read in full here on John Shaqi.
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