The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
Another story of a piper who “took more than was good for him” is
associated with “Lochaber no more.” It was the duty of a piper of the
93rd Argyll and Sutherland Highlanders to play the officers’ mess.
Feeling somewhat unsteady, he chose “Lochaber no more” as being an easy
tune and suited for hiding his condition. His eccentric performance,
however, did not escape the colonel, who was in quarters close by
dressing for dinner, and, in passing to the mess room he called out
“Piper Mac Donald.” “Yes, sir,” replied the piper, approaching the
colonel with his best salute and under the impression that he was to be
complimented for serenading the commanding officer by his rendering of
such a beautiful air. “What tune was that you played?” growled the
colonel. “Hic! ‘Lochubu no more,’ sir.” “Then,” said the colonel
severely, “you’ll be piper no more, sir,” and Piper Mac Donald forthwith
returned to the ranks.
It is a well-known fact that pipers in Highland regiments are posted to
companies, and follow them wherever they go. On one occasion a company
of the Gordons were marching from a place called Jullunder to Fort
Kangra, situated on one of the lower ranges of the Himalayas.
Accompanying them was an elephant, on which were placed sick and
exhausted men. After a few days’ march they were deprived of music on
account of the piper’s feet becoming blistered, and he was relegated to
the back of the elephant. On the last day’s march, before entering their
new station, some one suggested that in order to brighten them up the
piper might be requested to play on the elephant’s back at the head of
the company. To this the officer assented, and accordingly the piper was
handed his pipes. When he began to tune them up it was evident that the
elephant had no appreciation of such sounds, for he shook his head,
flapped his big ears menacingly, raised his trunk, with which he
embraced the piper round the waist, and violently threw him and his
pipes into a ditch as a mark of his disapproval of such music.
Public-domain text, read in full here on John Shaqi.
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