The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
How the race became extinct—if it is extinct—cannot be determined. John
_Dubh_ Mac Crimmon was the last who held the hereditary office, and of
him it is related that about 1795 he determined, probably because of the
changed circumstances, to emigrate to America, that he actually went as
far as Greenock, but that there his love for the misty island became too
much for him, and he went back to Skye. But he was not then piper to Mac
Leod, and he spent the rest of his life in retirement. When he became
too infirm to play the pipes, he would sit outside and run over the
notes on his walking stick. He lived to the age of 91, dying in 1822,
and was buried with his fathers in the kirkyard at Durinish. _Music of
the Highland Clans_, written in 1862, states that the last of this noble
race of minstrels was a blind and venerable old gentleman then living at
Gourock; but Logan’s _Scottish Gael_, written in 1831, says a Captain
Mac Crimmon “died lately in Kent at an advanced age, and the descendant
of these celebrated pipers is now a respectable farmer in Kent.” The
author of _Musical Memoirs of Scotland_ (1849) says the Mac Crimmons
ended in a woman then keeping school in Skye, who could go through all
the intricacies of the pibroch on the family instrument. There is said
to have been a piper of the name in Glasgow about 1872, who claimed to
be a direct descendant of the Mac Crimmons. He was an old man then, and
all trace of him is now lost. If he is dead, which is highly probable,
it is almost certain, that although the race as dimmed. So Mac Crimmon
generally found some excuse for sending Mac Arthur away to some distance
when he wished to play these tunes. One day his master had a visitor who
desired to hear one of the highly-prized melodies, and in order to get
the boy Mac Arthur out of the way Mac Crimmon sent him a message to a
neighbouring township some miles distant. But the boy, suspecting the
plot, lingered about the door until he heard the tunes, and then rushed
off on his message. Afterwards in a secluded spot he practised the airs
until he became perfect. But Mac Crimmon one day suddenly heard a tune
which he thought he alone could play, and angrily approaching the
performer, whom he found to be his pupil, he said:—“You young rascal,
where have you picked up that piece of music?” “I picked it up in the
back door that day you entertained your friend to it,” said Mac Arthur,
assuming the utmost indifference; “and,” he continued, “I shall lose no
more time than the boat shall take on her voyage to Mull in telling my
master that you are not giving me the full benefit of your talents, for
which you were amply paid by my benefactor.” Old Mac Crimmon felt
somewhat alarmed at the cool indifference with which his pupil addressed
him, and, knowing what would result from the matter being made known to
his influential patron, he very discreetly confessed his guilt, and
promised his clever pupil better attention in the future. Pupil and
Public-domain text, read in full here on John Shaqi.
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