The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
Angus Mac Kay—Queen Victoria’s first piper—His book—Donald Mac Kay—
John Bane Mac Kenzie—The Queen’s offer—The piper’s reply—Donald
Cameron—His achievements—His theory of pipe music—His system of
noting—His last competition—A special reed—“The King of Pipers”—
Other latter day pipers.
After the death of the last Mac Crimmon piper in 1822 no one was left to
maintain the traditions of the hereditary pipers. But the class was not
wholly extinct. The next notable name we come across is one that is not
likely to be soon forgotten by those interested in Highland music. There
is no name better known to the world of pipers than that of Angus Mac
Kay, the compiler of the first really serviceable book of pipe music,
but, curiously enough, very little is known of his life. He belonged to
a well-known family of pipers, and was connected with the famous Mac
Kays of Gairloch. The family home was at Kyleakin, the pretty Skye
village opposite the Kyle terminus of the Highland Railway. His father,
John Mac Kay, was piper to Mac Leod of Raasay, who sent him to Boreraig,
Dunvegan, to be instructed by John _Dubh_ Mac Crimmon. He was afterwards
piper to Lord Willoughby de Eresby in Perthshire, and finally settled in
Kyleakin, where he trained some of the best-known pipers, including John
Bane Mac Kenzie.
[Illustration:
ANGUS MAC KAY: FIRST PIPER TO QUEEN VICTORIA
(_From a drawing in the possession of Duncan Munro, Kyleakin, Skye_)
]
Angus was born in Kyleakin about 1813, and was instructed by his father.
He was piper to Davidson of Tulloch and also to Campbell of Islay.
Afterwards he entered the service of Queen Victoria, in which he
remained for many years. He was, by the way, Her Majesty’s first piper.
He devoted a great deal of his time to collecting and noting the leading
pipe tunes, and in 1838 he published his collection as a book. This was,
and still is, a unique work, being the first systematic collection. Mac
Donald’s, which came before it, was crude and could hardly be played
from except by expert performers, but Mac Kay’s book, which consists of
sixty pibrochs, although it contains various errors, is to this day
considered by many competent judges the best of its kind ever written.
It is the author’s lasting monument, and although comparatively little
is known of his life, it cannot fail to keep his name in remembrance
long after the names of those who were pipers only are forgotten. Mac
Kay was a tall, gentlemanly-looking man, with a taste for literature. He
died at Dumfries on 21st March, 1859, under sad circumstances. His mind
had given way, and when out walking near the Nith, he somehow got into
the river, and was drowned before those with whom he resided were aware
that he was out of their charge. His nephew, Donald Mac Kay, who was
trained at Maryburgh, Ross-shire, by Donald Cameron, became piper to
H.R.H. the Prince of Wales, now King Edward VII., and his wife was for a
long time in the Royal service at Sandringham.
Public-domain text, read in full here on John Shaqi.
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