The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
The prizes won by Cameron during his career as a professional piper were
not very numerous, but they were all high, and he soon became ineligible
through having won all the possible firsts. In his early days there was
generally a rehearsal of intending competitors, and only the best were
allowed to compete in public, with the result that the very permission
to compete was considered an honour, and the winning of a prize a
distinguished honour. Cameron won at Perth, in 1850, a large silver
challenge medal presented by his employer, the late Colonel Keith W.
Stewart Mac Kenzie of Seaforth; and he won the Highland Society of
London’s challenge gold medal in Inverness in 1859, a feat which was
subsequently performed by his sons, Colin and Alexander; and also six
sets of pipes at different meetings. His first service as piper was with
Mr. Robert Morison, Scallisaig, Glenelg. Afterwards he was employed by
Sir James J. R. Mac Kenzie, Bart., of Scatwell and Rosehaugh, but his
principal service was with Colonel Mac Kenzie of Seaforth, with whom he
continued till his death at Maryburgh in January, 1868. When the Brahan
Company of Volunteers was formed by Seaforth in 1866, Cameron was
appointed honorary piper, and when he died a detachment accompanied his
remains to the burying-ground of the High Church, Inverness.
In 1863, Seaforth presented his piper with the title deeds of one of the
best houses in the village of Maryburgh, thus following to a certain
extent the practice of the chiefs when the piper was a part of the
household. Ten years previously he was selected to be piper to Her
Majesty Queen Victoria, an honour which he highly appreciated, but so
strong was his attachment to Seaforth that he preferred to remain with
him. Donald Cameron was very like the Mac Crimmons. He lived in
different times, but had he lived when they lived he would have been as
one of them. In his theory of pipe music the sounds formed a continuous
and harmonious whole, as distinguished from that of one or two other
well-known pipers, whose playing, even of pibrochs, was marked by its
jerkiness. He was practically an illiterate man, but, besides being able
to read ordinary music, he noted his tunes in a special manner, on the
lines of the _Canntaireachd_ of the Mac Crimmons or the Mac Arthurs.
Each of these systems of notation was different from the others, and the
invention of the piper who originally used it, so if Cameron was
illiterate he was certainly also clever. He was a shrewd old man, with a
fund of stories connected with the Highlands and leading Highland
families. He was a keen angler and a great favourite with Seaforth.
When, at a comparatively early age, he had ceased playing at
competitions, he determined once more to try his skill in public. So he
took advantage of the Northern Meeting, Inverness, where a competition
was to be held for former gold medalists only. This competition was the
first of its kind, and all the best men were there. When Donald Cameron
Public-domain text, read in full here on John Shaqi.
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