The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
amount of space and it would also necessitate comparisons between the
abilities of lately deceased and still living men, which the present
writer is not at all inclined to make. The task of general biographer
would no doubt be pleasant, and there are materials enough in existence
to justify anyone in believing that the result would be well worthy of
the effort, but this is hardly the place for it. It is enough for us, at
present, to know that we still have men fully capable of keeping pipe
music up to the high standard set by its old time exponents and that, if
we have few who, like Saul of old, are head and shoulders above the
crowd, the stature of the crowd itself is of a high average. Perhaps
that very fact will make the task of the biographer all the more
difficult.
[Illustration]
[Illustration:
BAND OF THE SUTHERLAND RIFLES—THE LARGEST VOLUNTEER PIPE BAND IN THE
WORLD
]
CHAPTER XX.
HOW PIPING IS PRESERVED.
“O, wake once more! how rude soe’er the hand
That ventures o’er thy magic maze to stray,
O, wake once more! though scarce my skill command,
Some feeble echoing of thine earlier lay;
Though harsh and faint and soon to die away,
And all unworthy of the nobler strain;
Yet if one heart throb higher at its sway,
The wizard note has not been touched in vain.
Then silent be no more! Enchantress, wake again!”
—_Scott._
The waking—Professor Blackie—Highland Society of Scotland—Highland
Society of London—The system of competitions—The first competition—
The venue changed—The gold medal—Present day competitions—Some
suggestions—R.L.S.—Pipe bands—Examples from high life—Quality of
music—The Pipes abroad—Sir Walter Scott.
Public-domain text, read in full here on John Shaqi.
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