The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
Foremost among the agencies which have kept alive the taste for pipe
music are the Highland Society of London and the Highland Society of
Scotland. The latter, founded in 1784, interested itself more
particularly in agricultural matters and the general welfare of the
people, but the former, established six years earlier for the special
purpose of preserving the language, music, and literature of the
Highlands, has done grand work. By deciding, on 12th July, 1781, “that a
Pipe and Flag be given annually by this Society to the best Performer on
the Highland Bagpipe, at the October Falkirk Tryst,” it practically
inaugurated the system of competitions which has done so much to
encourage rising talent, and without which no young piper could hope in
these days to come prominently before the public. Many other
organisations in different parts of Scotland, and in different parts of
the world, have done good work in the same cause, but the winning of the
Highland Society of London’s gold medal is still the highest honour
coveted by the ambitious piper. The annual competition began with a
salute to the Society by its own piper. This was followed by a dance.
Then three or more of the competitors each played a pibroch. Then there
was another dance and more pibrochs until the list of the competitors
was exhausted. The judges then retired to consider their verdict, and by
and by the prizes were distributed by the president. This, with a few
alterations, may be said to be the programme at competitions to this
day.
The Society’s first competition was held in 1781, at Falkirk Tryst, the
first prize being a new set of pipes and 40 merks Scots, and the second
and third each 30 merks. Thirteen pipers competed, and the judges were
so placed that they could hear, but not see, the players. Each
competitor played four different tunes, and the winner of the first
prize was Patrick Mac Gregor, piper to Henry Balnaves of Ardradour. The
second was Charles Mac Arthur, piper to the Earl of Eglinton, and the
third John Mac Gregor, a man of 73, piper to Lieutenant-Colonel Campbell
of Glenlyon. The winner of the first prize, curiously enough, wanted the
third finger of the “upper” hand, but he was uncommonly clever at using
the little finger instead. For this reason he was known as _Patrick na
Coraig_. The competition was superintended by a “branch” of the Highland
Society of London, which existed in Glasgow.
Public-domain text, read in full here on John Shaqi.
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