The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
of all the firsts for piping. But he only came in second. Whereupon he
inquired of the judges what mistake he had made.
“Oh, nae mistake,” they said. “Ye played capital.”
“Surely, then,” he asked, “I was entitled to first prize?”
“Maybe ye wis; but, ye see, ye had a’ the firsts for dancing.”
“But was I not the best dancer?”
“Nae doot aboot that.”
“And was I not the best piper, too?”
“We’re no sayin’ but ye wis.”
“But I thought the best piper ought to get the first prize!”
“Oh, nae doot; but we thocht ye had gotten plenty already.”
Mac Lennan always told this story afterwards with great glee. “Do you
know,” he would say, “these judges were the most interesting men I ever
met. I wonder what they would have done if the competitor was a hammer-
thrower or a jumper. They could not say thirty feet was less than
twenty-five feet.
Taken all over, however, the bigger competitions are honourably
conducted, and the best men always come out first. These now competing
are mostly the retainers of titled gentlemen, with a number of private
individuals who unite to an ordinary occupation an enthusiasm for the
pipes. There are several ways in which the gatherings could be improved
and made more interesting to the general public and of more value to the
devotees of the pipes. The names of the tunes played might be published
with the list of results, as well as the names of the prize-winners;
prizes might be offered for new tunes, and for essays on the history or
merits of tunes; and thus composition would be stimulated; and, above
all, the old plan whereby the player was kept out of sight of the judge
might be reintroduced. The judging at local competitions is often looked
on as a joke, and not worth protesting against. Were the judges ignorant
of the identity of the players, the charge of favouritism could not be
made, and that in itself would be a great step gained. If pipers would
form a society among themselves and insist on only thoroughly competent
men being allowed to act as judges the charge of ignorance of the music
would fall to the ground. And again, some attempt might be made to put a
stop to the liberty which everybody seems to have to organise a
competition, call it “amateur championship” or whatever he likes, issue
medals of little or no value, and pocket the receipts. All the
gatherings, say in Scotland, could be managed by one organisation, a
pipers’ society such as that suggested, or a more comprehensive Highland
society of some kind, and a certain uniformity of grades in confined and
open and amateur and professional competitions introduced which would
give confidence to the competitors, make the principal prizes a known
quantity, and interest the general public in the results. That, of
course, would not preclude the holding of competitions under the
auspices of well-known and accredited athletic or patriotic
organisations.
Public-domain text, read in full here on John Shaqi.
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