The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
These are the only words in existence which I can hear of.”
There is, however, another tradition connected with the tune. There was
a prediction, believed among the clansmen, that the Mac Intosh of that
day would die through the instrumentality of his beautiful black steed,
whose glossy skin shone as the raven’s wing, and whose flowing mane and
tail waved free as the wind itself. But the chief, whatever he felt, was
determined to show his people that he treated the prediction lightly,
and so he continued to ride his favourite, in spite of the entreaties of
his friends. He rode him on the day of his marriage, and on the way to
church the horse became more than usually restive. He reared and
plunged, and behaved so badly that the rider, losing control of himself
and his horse, drew his pistol and shot the favourite dead. Another, a
piebald horse, was procured, and the company proceeded to church. After
the ceremony they returned by the way they had come, the bride and her
maids on white ponies, and the bridegroom and his friends following. The
chief’s horse, in passing, shied at the body of the black horse, which
lay by the wayside, and the rider was thrown to the ground and killed on
the spot. A turn of the road hid the accident from those in front, and
the bride, unconscious of what had happened, went on her way. She is
said to have composed and chanted the air as, at the funeral, she moved
at the head of the bier, marking the time by tapping on the coffin lid
all the way to the grave, where she had to be torn away as the body was
being lowered in:—
“Oh! my love, lowly laid, Oh! my love, lowly laid;
Oh! my love, lowly laid, beside the fatal wall breach!
Wife am I, sorrowful in my weeds of deep woe,
Since I heard, with heart sore pained, that henceforth I must wear them.
Th’ piebald horse laid thee low, th’ piebald horse laid thee low,
The piebald horse laid thee low, beside the fatal wall breach.
Maiden waesome sad am I, whom scarce know they since the day
When he fixed the marriage ring then on my finger gaily.
Oh! alas, I wasn’t there, Oh! alas, I wasn’t there,
Oh! alas, I wasn’t there, by thy right hand to take thee.
Oh, I am filled with grief, tear-drops streaming down my cheek,
Mourning for my youthful chief, who newly rode the piebald.
Rider of th’ bounding black, bounding black, bounding black,
Rider of th’ bounding black, so mangled by the piebald.
To the feast I’ll not go, nor where merriment fast flows,
Since in waking of the spring an arrow pierced me sorely.
My young Hugh, lowly laid, lowly laid, lowly laid;
My young Hugh, lowly laid in debris of the wall breach.
I am sad, sore sad and wae, since in dust they low thee laid
My farewell I pray thee take, to stones in Dun high standing.
My young Hugh lowly laid, lowly laid, lowly laid;
My young Hugh, lowly laid, alas! and I not near thee.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account