The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
One of the earliest recorded instances of the bravery of a piper is
contained in the annals of our own Highlands, and is inseparably
connected with the tune known as _A Cholla mo run_, referred to in a
previous chapter.[16] It may be as well to give the story here at full
length. The hero was the piper of Coll Kitto, or left-handed Coll, who
landed in Islay with the advance party of an expedition from Ireland,
with instructions to take the Castle of Dunivaig by surprise, should he
find that this could be attempted with any degree of success. The
Campbells, however, had heard of the expedition, and they drew the party
into an ambush and made them prisoners. All were hung off-hand, except
the piper, who asked leave first to play a lament over his comrades. The
chief of the Campbells had heard of the fame of this piper, and, being
himself fond of music, he granted the request, taking care, however, to
put cattle in the way of those of Coll Kitto’s people who might follow
the advance party, which would distract their attention, while his men
could fall on them as they did on the others. The piper saw and
understood the arrangements, and adapted his pibroch to the occasion, so
that the warning and lamenting notes could not fail to be understood by
his comrades. The chief of the Campbells also understood, and on finding
himself over-reached he plunged his dirk into the piper, who smiled
proudly even in death, for he knew he had saved his friends. The
lamenting notes represented in this tune by “We are in their hands, we
are in their hands,” and the warning notes represented by “leave the
cattle, leave the cattle,” are exceedingly touching, and Coll Kitto,
when he heard the pibroch, at once knew that his advance party was in
trouble, and that the piper wished him to keep away from the island.
Accordingly he turned his _birlins_, that is, boats, and left for a less
dangerous locality. The words, when translated, are far from having the
power and beauty of the Gaelic, but they will serve to show somewhat how
the old pipers were supposed to speak by their music to those who
understood them:—
Footnote 16:
See page 92.
“Coll, array; be ready, depart;
Be ready, depart; be ready, depart;
Coll, array; be ready, depart;
We are in their hands, we are in their hands.
Leave the cattle, leave the cattle, leave the cattle,
Leave the cattle, leave the cattle, leave the cattle,
Leave the cattle, leave the cattle, leave the cattle,
We are in their hands, we are in their hands.
An oar, a baler, an oar, a baler,
An oar, a baler, an oar, a baler,
An oar, a baler, an oar, a baler,
We are in their hands, we are in their hands.”
This was supposed to represent embarking quickly. A “baler” was a dish
for throwing water out of the boat.
Public-domain text, read in full here on John Shaqi.
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