The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
“THE CAMERONS’ GATHERING.”
There is a good story associated with “The Camerons’ Gathering:”—In the
seventeenth century a dispute arose between Sir Ewen Cameron of Lochiel
and the Earl of Atholl about their respective rights to grazing on lands
on the borders of Rannoch. The two chiefs met at Perth, and it was
agreed that the dispute should be settled amicably at a meeting on the
ground in question. On the appointed day Lochiel started early,
accompanied by a single henchman and his piper, Donald Breac of
Muirshiorlaich. On the way, however, he met an old woman—Gorm’uil Mhor
of Moy—who warned him emphatically not to proceed further without more
attendants:—“Go back, Ewen of Lochiel, go back! Take along with thee
three score and five of the best men of thy name and clan. If their aid
is required it is well to have them to appeal to, if not, so much the
better. It is Gorm’uil of Moy that advises it; it is Gorm’uil of Moy, if
needs be, that commands it.” Lochiel went back and chose three score and
five picked clansmen whom he took with him. Before meeting Atholl he
concealed his men in a hollow within a few hundred yards of the
trysting-place, and arranged with them that until they saw him turn his
cloak, which was dark grey on one side and bright red on the other, they
were to lie still. Whenever he turned his cloak it was a sign to them
that Atholl was treacherous, and they were to come to their chiefs
assistance.
At noon the chiefs met, and after discussion they found that neither was
disposed to yield his claims. The Earl at last threatened Lochiel, and
at a signal fifty Atholl men sprang from a copse near by and awaited
orders.
“Who are these, my lord?” demanded Lochiel.
“These,” replied the Earl of Atholl, with a smile, “are only a few of
the Atholl hoggets come across the hills with me to eat and grow fat on
their own grazings.”
Lochiel in the meantime had turned his cloak scarlet side out, and at
the signal his three-score-and-five men rushed into view.
“And who are these, Lochiel?” said Atholl, rather taken aback.
“These, my lord,” said Cameron, “are a few of my Lochaber hounds, sharp-
toothed and hungry, and oh! so keen to taste the flesh of your Atholl
hoggets.”
The Camerons were nearer than the Atholl men, and could have made the
Earl a prisoner before his own men could prevent them. So he gave in as
gracefully as possible, and, drawing his sword and kissing it, he
renounced there and then all claim to the grazings; and, in proof of his
faith in Lochiel, he tossed the sword into the loch near by. The loch
since then has been called the “Loch of the Sword.”
Lochiel’s piper meanwhile had been deeply interested in the scene, and
the idea of the Lochaber dogs tearing the Atholl sheep inspired him to a
new melody. Accordingly, he struck up and played for the first time
_Cruinneachadh nan Camaronach_, “The Camerons’ Gathering.”
Public-domain text, read in full here on John Shaqi.
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