The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
A touch of the romantic is found in the story of _Moladh Mairi_, a well-
known Mac Lachlan tune. Angus Mac Kay, son of _Iain Dall_, the blind
piper of Gairloch, attended a competition in Edinburgh on one occasion,
and the other competitors were so jealous of him and afraid of his
superior talents that they conspired together to destroy his chances,
They obtained possession of his pipes and pierced the bag in several
places. When Mac Kay began to practise on the day of the competition he
discovered the injury, and was in despair. But he had a fair friend of
the name of Mary who quickly procured for him a sheep’s skin, from
which, undressed as it was, they between them formed a new bag. With
this the piper carried off the first prize, and in gratitude to his
helper Mac Kay composed _Moladh Mairi_. He afterwards married a Mary
Fraser of Gairloch, but we have nothing to show that this was the same
Mary. In a proper story it certainly would have been.
Another, and a more probable, story is associated with this tune. A
daughter of Mac Lachlan of Strathlachlan, chief of the clan, made a
present of a wether’s skin to the family piper to make a bag for his
pipes. He was delighted with the present, and composed the tune in her
honour. This story is the more likely, inasmuch as it is well known that
pipers always had a high sense of honour, as they still have, and would
never think of treating a competitor in the way the first story says Mac
Kay was treated.
“_GILLE CALUM_,”
or “The Sword Dance,” is one of the best known of pipe tunes. There is
the jocular story to the effect that it made its first appearance in the
world after the Deluge, when the Ark had landed on Ararat, and Noah
expressed his joy by dancing over two crossed twigs. That the tune, or
at anyrate the dance, is an heirloom from the ancients, is highly
probable, as the sword dance in a modified form was the special antic of
the priests of Mars. The real _Gille Calum_, however, is said to have
been _Callum a’ chinn mhoir_—Malcolm Canmore, who incurred the
displeasure of the Highlanders by removing the ancient Court from
Dunstaffnage Castle, in Argyllshire, to Dunfermline, by marrying the
Saxon Princess Margaret, which led to the change of Court language from
Gaelic to English, and also by having added to the coinage a very small
coin, the bodle, equal in value to one-third of our halfpenny, and so
small as to be contemptible in the eyes of his Highland subjects. The
translation, by “Fionn,” of the Gaelic associated with the name shows
considerable wit and a pretty strain of sarcasm:—
“Gillie-Callum, twa pennies,
Gillie-Callum, twa pennies,
Twa pennies, twa pennies,
Gillie Callum, ae bawbee.
Public-domain text, read in full here on John Shaqi.
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