The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
It may not be inappropriate to conclude these stories of tunes with two
which are associated with ministers.
“THE PERIWIG REEL”
can always be depended on to provoke laughter when well played. It is
probably the composition of Mr. Fraser of Culduthal. This gentleman was
at a baptismal “entertainment” at the house of Fraser of Knockie, where
the presence of a very old and venerable minister could not restrain him
from exciting mirth. He sat next but one to the minister, and found
means over his neighbour’s shoulder to tickle below the parson’s large
wig with a long feather or a blade of corn. As the glass went round the
old man became uneasy, but suspected nobody. At last he got into a rage,
dreading an earwig or spider, and shook out his wig over a blazing fire,
which unfortunately got hold of it. It was too greasy to admit of its
being saved. Amid great laughter, it simmered in the fire till it had
almost suffocated the company. The minister’s bald head produced more
laughter at his expense, in which he himself joined, and he enjoyed the
joke thoroughly when it was told to him. The real name of the air is
“The Fried Periwig.”
The other tune is
“JENNY DANG THE WEAVER,”
and its story is somewhat interesting. Rev. Mr. Gardner, minister of the
parish of Birse, in Aberdeenshire, was well known for his musical
talents and his wit. One Saturday he was arranging his ideas for next
day’s service in his study, which overlooked the courtyard of the manse.
Outside his wife was beetling potatoes for supper. To unbend his mind a
little, Mr. Gardner took up his fiddle and begun to run over the notes
of an air he had previously jotted down, when suddenly an altercation
arose between Mrs. Gardner and Jock, the minister’s man, an idle sort of
weaver fellow from the neighbouring village of Marywell, who had lately
been engaged as man of all work about the manse. “Here, Jock,” cried the
mistress as Jock came in from the labours of the field, “gae wipe the
minister’s shoon.” “Na,” said Jock, “I’ll dae nae sich thing. I came
here to be yir ploo’man, but no yir flunkey, and I’ll nae wipe the
minister’s shoon.” “Deil confound yir impudence,” said the enraged Mrs.
Gardner, and she sprang at him with a heavy culinary implement, and
giving him a hearty beating, compelled him to perform the menial duties
required of him. The minister, who viewed the scene from his window, was
hugely diverted, and gave the air he had just completed the title of
“Jenny Dang the Weaver.” This is supposed to have occurred in 1746.
There is a well-known Gaelic song entitled “Trousers for meagre shanks,
and bonnets for the bald,” sung to the air.
OF OTHER CLAN TUNES
Public-domain text, read in full here on John Shaqi.
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