The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
given in the annexed table is, I venture to submit, the true scale of
the bagpipe. It is as perfect as can constructed upon an instrument of
such limited compass without the aid of valves, and places it much on a
level with the other instruments in use up to the time of Bach, already
referred to, whereby the approximate correctness of a few keys was
obtained by the sacrifice of all the others. It is possible that pipe
chanters may not always be bored with perfect accuracy, and that in the
case of very old instruments the holes may get enlarged by wear so as to
be more or less out of tune, but I think that the true “bearings” are as
I have stated.
Is is to be noted that but very few of the airs of our Gaelic songs can
be played on the bagpipe, a fact which we think goes far to prove that
the instrument was designed and used for martial purposes in the open
air. Indeed the _timbre_ of the instrument renders it unsuitable for
playing in concert with the human voice.
It is, I think, a matter of great satisfaction to all Highlanders and to
those who love the race, that so many intelligent and praiseworthy
efforts are being made at the present time to preserve and cultivate our
national music.
The following is the table of vibrations of musical scales forming the
foundations of the scale for the bagpipe:—
┌───────┬────────────────────────────────┬────────────┬──────────────────────────┐
│ Notes │Sol-fa Names with Vibrations in │ Equal │ True Pipe Scale. │
│on the │ │Temperament.│ │
│staff. │ │ │ │
├───────┼───────┬───────┬───────┬────────┼────────────┼──────────────┬───────────┤
│ │ C │ G │ D │ A │ │ Staff. │Vibrations.│
├───────┼───────┼───────┼───────┼────────┼────────────┼──────────────┼───────────┤
│A │l 880 │rˈ 891 │so 891 │doˈ 891 │891 │[Illustration]│891 │
│G sharp│ │ │ │t │841 │ │ │
│ │ │ │ │835⁵⁄₁₅ │ │ │ │
│G │so 792 │doˈ 792│f 792 │ │794 │ │792 │
│F sharp│ │t 742½ │m 742½ │l 742½ │750 │ │742½ │
│F │f 704 │ │ │ │706 │ │ │
│E │m 660 │l 660 │r 666¼ │so 668¼ │666 │ │668¼ │
│D sharp│ │ │ │627 │ │ │ │
│D │r 594 │s 594 │do 594 │f 594 │592 │ │594 │
│C sharp│ │ │tˌ 556⅞│m 556⅞ │559 │ │556⅞ │
│C │do 528 │f 528 │ │ │528 │ │ │
│B │tˌ 495 │m 495 │lˌ 495 │r │499 │ │495 │
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