The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
By and by, however, the belted plaid and the trews gave way to the plaid
and the kilt as we now have them. It cannot be said, indeed, that there
ever was a period in which the trews held anything like universal sway.
The transition was rather from the original form of the loosely wrapped
plaid to the present form of the dress. There is a story to the effect
that an English tailor named Parkinson or Ralliston invented the kilt in
1715 or 1745—it is a somewhat vague story—and both Pennant and Sir John
Sinclair accept it as truth. Pennant, himself an Englishman, may be
excused, but the man who edited the _Statistical Account of Scotland_
might have known better. The Earl of Moray of Charles I.’s day wore the
kilt, and Lord Archibald Campbell, in _Records of Argyll_, shows two
pictures, one of 1672 and one of 1693, in both of which the kilt can be
plainly seen. Besides, the Highlanders wore it in the rebellion of 1715.
It is carrying conjecture a bit too far to contend that the Saxons, who
were able to introduce very few of their customs among the Celts,
introduced the national dress. The simple fact seems to be that the
change from the belted plaid, with the plaid and trews here and there,
to the plaid and kilt, took place when the altering circumstances of the
people made continuous labour a necessity, and also, therefore, a
convenient and inexpensive working outfit.
It gives one an insight into the habits of the times to read that the
managers of the piping competition held in Edinburgh in 1783, apologised
to the public for the deficiency in dress. The competitors, they said,
having no prospect of appearing “before so magnificent and great a
company,” had nothing in view in quitting their distant dwellings but
the competition at Falkirk, where their instruments alone were
essential. In 1785, however, candidates were warned to appear “in the
proper Highland habit,” which has since held good. Pipers’ dress was
sometimes stylish enough even in the middle of the eighteenth century,
for we read that in a procession of the Royal Company of Archers in
Edinburgh in 1734 there was “one Highland piper who was dressed in
scarlet richly laced.”
Public-domain text, read in full here on John Shaqi.
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