The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
It is alleged that the chanting of Druidical precepts in Pagan times was
imitated by the early Christians, and some remains of Druidical songs,
with music attached, were said to have been in existence so late as
1830, but there is now nothing to show what were the qualities of
Highland music prior to the dates of tunes which are well authenticated.
The music of the pipes is ancient, without a doubt; it passed through a
long evolution process, and it has changed but little since we have
known it committed to paper. That is about all that can safely be said
on the point.
Before people learned to express their thoughts by marks on paper, they
carried the music in their heads. The music teacher nowadays gathers his
books and his scales and his instruments around him; then he gathers his
pupils; then he expounds the theories on which the system of music is
based; then he shows how these theories work out in actual practice, and
then he proceeds to learn his pupils how to practice them. All of which
makes the learning of music a “special subject,” and goes to instil into
the heads of the non-musical the idea that they, too, by reason of
having passed through all the courses, must needs understand music.
Whereas all the time it is only the theory of music, as taught in the
text-books, they understand. This in itself is not a bad thing, if
people incapable of anything higher would be content with it, and not
pose as authorities. But the tendency of our educational system is, or
at least was very recently, towards the production of a race of pedants,
and the creation of a dead level of mediocrity in which the common
person thinks he is as clever as the genius, and the genius is too
modest to hold his head higher than that of the common person. In the
old days, when the difficulties were insurmountable to the common
person, genius shone forth all the brighter. There was little of the
literature of the pipes in these days, and a piper’s ear was his best
teacher. Consequently the great pipers stood head and shoulders above
the common crowd—giants because of their genius and lifelong study. It
is quite likely that the raising of the level of the mass, even at the
expense of genius, may be a good thing, but that is another matter.
Public-domain text, read in full here on John Shaqi.
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