The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
“A Highland piper shot through both his feet,
Lay on the ground in agonising pain;
The cry was raised, ‘The Highlanders retreat;
They run, they fly, they rally not again!’
The piper heard, and, rising on his arm,
Clutched to his heart the pipes he loved so well,
And blew a blast—a dirge-like shrill alarm,
That quickly changed to the all-jubilant swell
Of ‘Tullochgorum.’ Swift as lightning flash,
Or fire in stubble, the tumultuous sound
Thrilled through the clansmen’s hearts, and with a dash
Of unreflecting valour, at one bound
They turned upon their hot-pursuing foes,
And faced them with one wild tempestuous cheer
That almost drowned the music as it rose
Defiant o’er the field, loud, long, and clear!
Scotland was in it, and the days of old
When, to the well-remembered pibrochs of their sires,
They danced the exultant reel on hillsides cold,
Or warmed their hearts with patriotic fires.
The startled enemy, in sudden dread,
Staggered and paused, then, pale with terror, fled;
The clansmen followed—hurling shout on shout—
In martial madness on the hopeless rout.
’Twas but five minutes from the set of sun,
And ere it sank the victory was won!
Glory and honour, all that men can crave,
Be thine, O piper, bravest of the brave!”
We have several stories of Waterloo which point the same moral. One
piper was shot in the leg before he got properly started with his music,
and this so roused his Highland blood that, dashing his pipes to the
ground, he drew his broadsword and fought with the fury of a lion until
he died from many wounds. A pipe-major of the Gordons placed himself on
an eminence, amid a shower of shot, and proudly sounded the battle
charge, and Piper Kenneth Mac Kay, a native of Tongue, and one of the
79th Cameron Highlanders, specially distinguished himself at Quatre Bras
a few days earlier. During the formation of the regiment, while the
brigade was threatened by a body of French cavalry, Piper Mac Kay calmly
stepped outside the bayonets and played _Cogadh na Sith_ with inspiring
effect, almost right in front of the enemy. The incident is best told in
a poem by Alice C. Mac Donnell, of Keppoch, contributed to the _Celtic
Monthly_ of June, 1895:—
Public-domain text, read in full here on John Shaqi.
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