The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
At Lucknow, no sooner had the 93rd forced their way through the breach
than John Mac Leod, then pipe-major, who was right in the front, began
to encourage the men by vigorously playing his pipes. The more hot and
deadly the fire became, the more highly strung became the piper’s
feelings, and the louder squealed the pipes, John standing the while in
perfectly exposed positions, in which he must have appeared to the enemy
like some unearthly visitant. There he stood for over two hours, while
bayonet and rifle did their work. A similar story comes from the
American War of Independence. The 42nd Highlanders helped to storm Fort-
Washington, and a piper was one of the first to reach the top of the
ramparts. Once there he began to play the slogan of his clan, which so
roused his comrades that they rushed the heights, carrying everything
before them. The brave piper, however, lost his life just as victory was
assured. Another piper of the 42nd Highlanders distinguished himself in
a more recent war. With the regiment at the Gold Coast there was James
Wotherspoon, a native of Falkirk, and a piper. At the battle of Amoaful,
in the heat of the action, when brave men were falling on every hand,
Wotherspoon cheered them on with martial music, and afterwards assisted
to carry Major William Baird, who was mortally wounded, off the field.
For this act of devotion, Queen Victoria, at Windsor, presented the
piper with the medal for distinguished conduct in the field.
In the Ashanti War there was an instance of bravery under circumstances
more trying than open battle. When the Black Watch entered Coomassie,
they had to march through a dense jungle infested by savages. But they
formed in procession, and, headed by the pipers, and firing at hidden
enemies on either side, they stepped—
“Into the depth of the forest shade
Into the gloom of the chasm made,
Into the ambush of deadly night,
In midst a dashing glare of light.
Quick in response a volley burst
With deadly aim, the foemen curst.
High o’er the din the pipers blew,
The hardy Scots marched two by two,
No halt, no pause, the swinging pace
Lost not one atom’s form or grace.”
And they got into Coomassie, but it must have taken no ordinary courage
to make men play at the head of such a column, themselves with no
weapons of defence. Firing at an unseen foe among the kopjes of the
Transvaal was child’s play to it.
Public-domain text, read in full here on John Shaqi.
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