The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
The first is in regards to playing in file, which is generally
acknowledged to be the most difficult formation in which pipers can be
placed. This will become apparent when notice is taken of the fact that
the drones of the player immediately in front drown to a considerable
degree the sound of the player’s chanter. It is therefore only by
listening carefully to the different parts of the tune, and watching the
marching swing of the pipers in front, as well as keeping the regular
step, that one can decide whether the performers are adept players or
not, and, as efficient pipers know, such performances require long
practice and confidence. Then it sometimes happens that a central piper
wanders into the wrong part, thus knocking the pipers in front and
behind completely out. There at once ensues a stampede, so to say, no
one being able to detect who the erring piper is. This is one of the
occasions when the pipe-major looks ferocious, for, being in front, he
is powerless to rectify matters, and is compelled to march on and listen
to the row. The discordant notes will, of course, continue unless the
defaulters and others who are “put out” have confidence enough to stop
and catch up the tune at its proper place. Failing this, the pipe-
major’s only alternative is to form up his men behind the senior
officer’s chair as quickly as possible, and at once strike into the next
tune in his programme. Blunders of this sort, it is only right to state,
are usually committed by nervous men or beginners, but seldom through
carelessness. Again, when pipers are performing this duty, waiters who,
in the exercise of their own functions, are eager to serve their guests,
often bump against or unintentionally obstruct the pipe-major. In some
cases the chanter is knocked out of his hand, thus causing a temporary
derangement as the pipers swing round in their course. Pipers are
sometimes called upon to go into queer places. For instance, let us take
the huts at Aldershot and elsewhere. Here the pipers start from the
outside or from the kitchen, and wend their way round corners and
through very narrow and low doors, which necessitate their marching in a
crouching position in order to prevent the big drone coming in contact
with the top of the door. As they enter the mess-room, they are
invariably obstructed by the inevitable draught-screen, which some one
has neglected to draw aside at the proper time. “Through an obstruction
of this kind,” writes a pipe-major of one of the Highland regiments, “an
accident happened to myself on the first occasion that I, as a pipe-
major, went round the table to play a pibroch in my regiment. I started
in an adjoining room, and as I entered the mess-room door, immediately
behind the draught-screen, the latch caught the ribbons of the outside
drone and pulled the pipes off my shoulder. This caused me to make a few
‘boberechims,’ and I stopped. This being my maiden tune as pipe-major in
Public-domain text, read in full here on John Shaqi.
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