the female bird.
“What a pretty text,” said Miss Deacon. “I should like to nail it up in
my room. Why don’t you try to do something like that, Lucian? You might
make something by it.”
“I sent them these,” said Lucian, “but they don’t like them much.”
“My dear boy! I should think not! Like them! What were you thinking of
to draw those queer stiff flowers all round the border? Roses? They
don’t look like roses at all events. Where do you get such ideas from?”
“But the design is appropriate; look at the words.”
“My dear Lucian, I can’t read the words; it’s such a queer
old-fashioned writing. Look how plain that text is; one can see what
it’s about. And this other one; I can’t make it out at all.”
“It’s a Latin hymn.”
“A Latin hymn? Is it a Protestant hymn? I may be old-fashioned, but
_Hymns Ancient and Modern_ is quite good enough for me. This is the
music, I suppose? But, my dear boy, there are only four lines, and who
ever heard of notes shaped like that: you have made some square and
some diamond-shape? Why didn’t you look in your poor mother’s old
music? It’s in the ottoman in the drawing-room. I could have shown you
how to make the notes; there are crotchets, you know, and quavers.”
Miss Deacon laid down the illuminated _Urbs Beata_ in despair; she felt
convinced that her cousin was “next door to an idiot.”
And he went out into the garden and raged behind a hedge. He broke two
flower-pots and hit an apple-tree very hard with his stick, and then,
feeling more calm, wondered what was the use in trying to do anything.
He would not have put the thought into words, but in his heart he was
aggrieved that his cousin liked the pigeons and the text, and did not
like his emblematical roses and the Latin hymn. He knew he had taken
great pains over the work, and that it was well done, and being still a
young man he expected praise. He found that in this hard world there
was a lack of appreciation; a critical spirit seemed abroad. If he
could have been scientifically observed as he writhed and smarted under
the strictures of “the old fool,” as he rudely called his cousin, the
spectacle would have been extremely diverting. Little boys sometimes
enjoy a very similar entertainment; either with their tiny fingers or
with mamma’s nail scissors they gradually deprive a fly of its wings
and legs. The odd gyrations and queer thin buzzings of the creature as
it spins comically round and round never fail to provide a fund of
harmless amusement. Lucian, indeed, fancied himself a very ill-used
individual; but he should have tried to imitate the nervous
organization of the flies, which, as mamma says, “can’t really feel.”
Public-domain text, read in full here on John Shaqi.
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