The night was radiant. Sky and houses and bay were aglow with her
silver beams. Merry groups were passing to and fro. There was music,
singing, happiness,--all the gentleness of a perfect night.
Francesco walked more slowly in the moonlight. Suddenly a couple
passed him: a man and a woman. The woman wore a crimson cloak, and in
passing she looked up into his face. It was only a moment's meeting;
but all the color had faded from Francesco's cheeks. He looked back:
they had disappeared among the throngs.
For a moment he stood still as one paralyzed. Could his eyes have
deceived him? Impossible! He could never mistake that face, nor was
there another like it on earth! He faltered, stopped, recovered
himself, then retraced his steps in search of the two. But his efforts
were utterly in vain. As one dazed he returned to the inn. The convent
bells of Santa Lucia, pealing the midnight hour, found him pacing up
and down within the narrow confines of his chamber. Now and then he
paused and looked out into the night. Only when the noise and
merriment had died to silence he sought his couch, but it was long ere
sleep would come to him. For in the woman with the unknown cavalier,
who had passed him without recognition, he had recognized Ilaria
Caselli.
CHAPTER II
THE LADY OF SHADOWS
It was early on the following day when Francesco took the direction of
the palace. The city appeared gay and bright; the beautiful isles of
Ischia and Capri, like twin outposts guarding an earthly paradise. He
had arrived at the hour of dusk, which had soon faded into the swift
southern night, and much of the magic of the scene had thus been
veiled before his gaze. Now he saw and marvelled.
All around stretched the bay in its azure immensity, its sweeping
curves bounded on the left by the rocky Sorrentine promontory, with
Sorrento, Meta and a cluster of little fishing villages, nestling on
the olive-clad precipices, half hidden by orange groves and vineyards
and the majestic form of Monte Angelo towering above. Farther along
the coast rose Vesuvius, the tutelary genius of the scene, its
vine-clad lower slopes presenting a startling contrast to the dark
smoke-wreathed cone of the mountain. On the right the graceful
undulations of the Camaldoli hills descended to the beautifully
indented bay of Putcoli, while Naples herself, with Portici and Torre
del Greco, reposed as a marble quarry between the blue waters of the
bay. Beyond, in the far background, the view was shut in by a phantom
range of snowy peaks, an offshoot of the Abruzzi mountains, faintly
discerned in the purple haze of the horizon.
Public-domain text, read in full here on John Shaqi.
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