"I am a woman, and I stand alone! I have lived in hell ever since I
set foot in Astura. Almost have I lost the courage to look life in the
face. How I have wanted you!" she continued, with a wan, wistful
smile. "Ever I see you standing against the background of a great
silence, a silence that engulfs, that maddens, that kills! And you
will go from me, leave me a prey to this gray, suffocating loneliness,
which hovers as a pall over my soul! I am nothing to Raniero! He seeks
his pleasures elsewhere! The lure of the body drove him to me,--it has
vanished,--thank God even for that! I should die in his embrace. He
knows that I loathe him, that my soul spurns him! And he knows that I
love you! Yet, though he has forfeited every right, human and divine,
he grudges my love to another. For days and days he left me alone
within the gray walls of Astura, until in a fit of desperation I left
one night, and came here, to forget. His insults began in Rome. He
went so far as to bring his mistress to the Frangipani palace. I have
heard it whispered there is a curse on Astura. 'Astura--mala
terra,--maledetta!' A beggar uttered these words, whom Raniero struck
for obstructing his path, on the day when we arrived!"
A sudden blood-red cloud seemed to come before Francesco's eyes. With
a voice bare of intonation, he recited his own adventure in the Red
Tower, voicing his suspicions and fears.
Ilaria betrayed no surprise.
"He has never forgiven Fonté Gaia," she said, with drooping head. "And
yet he was untrue to me even then! From that hour matters began to
grow worse. Recklessly he cast the last semblance of decorum to the
winds. When I protested against living under the same roof with his
mistress, he smilingly brought me to Astura, leaving me, as he said,
in undisturbed possession. My youth destroyed, my soul poisoned, I
accepted my fate! I am the lady of the Frangipani! Sold, and bought,
and paid for!"
Ilaria had made mere truth of the matter, neither justifying nor
embellishing. Her clear, bleak words were the more pathetic for their
very simpleness.
With a great cry, he took her in his arms, kissed her dusky tresses,
kissed her flower-soft face. The dimmed sunlight, falling in upon
them, enveloped them as with a halo.
"And you are happy here?" he spoke at last.
She gave a shrug.
"Here as elsewhere it is a phantom scene," she said, with her wan
smile. "But if the fellowship of phantoms be ordained, it is well that
they be like those of Naples, radiant."
"Am I too, then, a phantom like the rest?"
Like an echo a voice said:
"A phantom--like the rest."
"And is he--a phantom too?"
She looked up into his eyes.
"Raniero--"
"That other--"
Her face was very pale.
"Why do you dwell on him?"
"Are you not Queen of Phantoms,--Proserpina,--Lady of Shadows, you--as
in the masque at Avellino?"
She shivered in his arms. He pressed her more closely to his heart.
"It was a long time ago!"
"And then as now you moved in a masque, in which I have no part."
Public-domain text, read in full here on John Shaqi.
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