The crash has come! In the depths of the sea Francesco stands alone!
The temple still rises around him, no more a ruin, but perfect in
every part! The light is emerald. He stands by an altar,--no, it is
Fonté Gaia! Bending down he beholds first a dizzying glimmer, as of
sun-rays reflected from wet bright pebbles, set in gay patterns at the
bottom. Presently his own reflection clears: the face of Ilaria,
lovely beyond all memory or dream, is bending beside it.
The White Lady! She is there in her gown, creeping with brightest
broideries. She offers him a golden cup! "Drink, Francesco!" she
implores. Strange sea-lights waver about her beauty; in a way she is
changed; but it is the voice of the girl he has loved better than all
the world. Suddenly a shadow stands between them. He shivers in the
warm air.--
What is there between Ilaria and Stefano Maconi!
Now some one flies past, a cord around his neck.
"Beware!" cries a voice, and on the rainbow brightness of Ilaria falls
the shadow of mighty wings. Swooping down from the roof, one of the
great demons of Lecceto hovers, poised hawk-like. The face is
Raniero's; the body, that of a vulture. Francesco, horror-stricken,
watches for the fiend to dart, to fasten his claws in Ilaria's dusky
hair, to bear her aloft, away, her shrieks trailing after her. But
this does not happen. In a faint light, like a mountain-mist at dawn,
the whole scene fades away, and Francesco bursts into wild and violent
weeping that seems as if it would drain his soul away.
When, after a few days, Francesco opened his eyes, he found himself in
a high-vaulted room of the palace, Ilaria bending over him wide-eyed,
pale of face. With a choked outcry he grasped the soft white hands to
his lips, his eyes raised to her in long, mute questioning. She bent
over him and kissed his lips.
"I love you," she whispered, then looked away.
His questionings at last elicited the response that at the behest of
the Regent he had been brought to the palace, where Ilaria herself had
been tending to his comfort. The name of his assailant had remained no
secret. Yet, beyond vague whisperings, it was not again alluded to.
Sleep, deep and dreamless, blessed the racked body throughout the day;
the sleep that leaves one's past life far behind and from which one
wakes in weak expectancy and the helpless peace of a new-born child.
It was at the Vesper hour that this waking came to Francesco. Sunset
light filled the gloom of the high-vaulted room. A distant silver
gleam had filled him with strange comfort and strange sorrow. Ilaria
had left him in care of the leech, a little Greek with restless,
ever-shifting eyes. Through the casement the evening star looked in.
Beyond Castel del Ovo he divined the far-trembling sea, quieted to a
pure colorless memory of the day that had died, yet brighter than the
darkening skies.--
Public-domain text, read in full here on John Shaqi.
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