The banqueting hall was a riot of color. On its columns of polished
marble, veined in green and rose, light played in sliding gleams from
great lamps of wrought bronze, hung by chains around the dome and
between the pillars. The floor of glowing mosaic was overlaid with
rugs of fantastic color and with tawny skins of beasts. The walls were
wide panels of mosaics, set in stucco, vivid with red and blue, green
and azure, picturing scenes of hunting and carousal. Perfumes burned
in silver jars, set on pedestals of black marble along the walls,
sending forth faint spirals of smoke into the heated air. The long
table, lined on either side with men and women, was directly beneath
the dome. Looking down upon it, Francesco saw a confusion of gold and
silver dishes with the ruby glow of Samian plates, and cups gleaming
among strewn leaves and blossoms. The garments of the guests were as a
fringe of color about the table's edge, purple, saffron and gold,
crimson, green and white.
The central figure at the board was Ilaria. She sat between Stefano
Maconi and another noble. At times her gaiety bordered on delirium,
though her smiling face, proudly upheld as though she scorned to give
way before the eyes upon her, was white, but her lips were as scarlet
as the flowers she wore. She had changed her attire since she had left
him. A Persian gauze, filmy as mist, enveloped her sylph-like form,
surmounted by a head-dress of gold, in which two poppies flamed upon
either temple. Never had she looked more beautiful, not even at the
parting-feast at Avellino, when alone she had entered the dusky
dining-hall and had taken her seat apart from him. Then, as now, she
had worn the red rose; the other was long wilted, forgotten perchance.
The flowers she wore were of a deep, intense color, almost like blood
upon the stainless skin of her exposed throat.
She had not even informed him of the evening's festivities. Was it to
save him pain, in not desiring his presence,--was it in order not to
subject him to the taunts and insults of the Neapolitans? Francesco
noted the smile of her parted lips; he noted the vivaciousness with
which she received the adoration of her guests. Yet, while he looked
on from the heights of his dreary solitude, could he have seen
Ilaria's eyes, they would have taught him different, for they never
participated in the smile of her lips. Something like jealousy gripped
him at last, he clenched his teeth and the scene below him swam in a
blood-red mist.
Public-domain text, read in full here on John Shaqi.
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