"The Church does not discourage the actions of the individual,--as long as they do not conflict with the eternal laws. As for herself--who must subdue men for men's sake,--she does reject them." And linking his arm in that of Francesco, the Prior drew him back into the dusk of the deserted chapel and pointing to the form of the crucified Christ above the high-altar said: "Look up! Nails would not have held him on the cross, had Love not held him there!" And Francesco sank upon his knees in a paroxysm of grief. The Prior watched the scalding tears that streamed down the pale, wan face; then, when Francesco had sobbed himself into a state bordering almost on apathy, the Prior retraced his steps and left him to himself. The moonlight streamed through the windows, and lay in broad patches upon the marble floor. Francesco staggered at last from his kneeling posture. Keeping in the shadow of the pillars, he crept softly towards the chancel and paused at the altar. There he knelt again. Deep silence reigned. Then came deep, heavy, tearless sobs. He was wringing his hands as one in bodily pain. The sound of his own voice re-echoing through and dying away among the arches of the roof filled him with fantastic terror as the phantom of some unknown presence. For a moment he swayed and would have fallen. It seemed to him as if he had seen Ilaria's face in the purple dusk. His heart stood still. He stared spellbound. But it had vanished. He was conscious of nothing save a sickening pressure of the blood, that seemed as if it would tear his breast asunder, then it surged back, tingling and burning, through his body. It was on the following day. The ceremony had been accomplished. Francesco stood before the high altar among the monks and acolytes and read the Introitus aloud in steady tones. All the cathedral was a blaze of light and color, from the holiday dresses of the peasants to the pillars with their flaming draperies and wreaths of flowers. The religious orders from the adjoining monasteries with their candles and torches, the companies of the parishes, with their crosses and pennons, lighted up the dim side-chapels; in the aisles the silken folds of processional banners drooped their gilded staves and tassels, glinting under the arches. The surplices of the choristers gleamed, rainbow-tinted, beneath the colored windows; the sunlight lay on the chancel floor in checkered stains of orange and purple and green. Behind the altar hung a shimmering veil of silver tissue, and against the veil and the decorations and the altar-light, the Prior's figure stood out in its trailing white robe like a marble statue that had come to life.